At the end of my January blog post about 19th-century French composer Louise Angélique Bertin, I promised that a feature was forthcoming about her contemporary Marie Felicie Clémence de Reiset, the Vicomtesse de Grandval (1828/30-1907). I can’t wait to share some Music Division treasures of hers with you in honor of Women’s History Month!
As Black History Month comes to a close, the Music Division is pleased to announce three recently published research guides that highlight Black history in our collections: "Harry Thacker Burleigh: A Guide to Resources," "Early African-American Music: A Bibliography," and "Black Composers in Music Division Collections."
Take a look at four new jazz scores added to the Charles Mingus Collection: “Alive and Living in Dukeland,” “Three or Four Shades of Blues,” “Cumbia and Jazz Fusion,” and “Todo Modo.”
January 15, 2021 is the 216th birthday of Louise Angélique Bertin. She was a French composer, poet, librettist, and painter. She was the only composer to work directly with Victor Hugo, the first French composer to set Goethe’s Faust as an opera, and the first woman of the 19th century to have an opera performed at the Opéra de Paris. The Music Division has wonderful resources about Louise Angélique Bertin.
Lyricist and songwriter Harold Rome's first Broadway score, "Pins and Needles," became the longest running musical of the 1930s. With a cast of garment workers and a pro-union message, it was unlike any other musical seen at the time.
Acclaimed for expanding the horizons of traditional musical sounds through his refined use of technologies, American composer Roger Reynolds reveals that the act of writing music is "my way of understanding the world."
The following is a guest post by virtual artist-in-residence, violinist Jennifer Koh. I am honored to be a virtual artist-in-residence at the Library of Congress. For the program that was streamed on November 19, 2020, I included works that engage with the question of who we are during this time of COVID. Beethoven Sonata No. …