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Category: Curators

Cover of Let the People Hear It. Multicolored, contains images of a dancer, saxophone player Lakecia Benjamin, and the Budapest Quartet

“Let the People Hear It” Celebrates 100 Years of Concerts at the Library

Posted by: Nicholas A. Brown-Cáceres

The Library of Congress recently published “Let the People Hear It: Concerts from the Library of Congress at 100” (Library of Congress, 2025). The book provides a visual journey through the history of the Library’s renowned concert series, which was established in 1925 by philanthropist Elizabeth Sprague Coolidge and Carl Engel, then-chief of the Library’s Music Division. Learn about this new book and where to catch the authors on book tour this coming winter and spring.

Image of actors onstage for Porgy and Bess.

Catfish Row Comes to New York: The Genesis of “Porgy and Bess”

Posted by: Nicholas A. Brown-Cáceres

Curator of the George and Ira Gershwin Collection Ray White discusses the origins of the Gershwins' "Porgy and Bess" in commemoration of the work's 90th anniversary. The Library and Washington National Opera present a concert and panel discussion to celebrate the anniversary on Wednesday, April 23 at 6:00 p.m. in the Coolidge Auditorium.

View from the Coolidge Auditorium stage looking out at the seats with a Steinway 9-foot piano on stage.

Now Streaming: Leslie Odom Jr., Lectures, and Artist Conversations

Posted by: Nicholas A. Brown-Cáceres

Enjoy recently released event videos from the 2024-2025 season of Concerts from the Library of Congress. Highlights include a conversation with Tony Award-winner Leslie Odom Jr., lectures by Christoph Wolff and Harvey Sachs, Renée Fleming's appearance at the 2024 National Book Festival, AMS lectures, Henry Mancini at 100 events, and numerous pre-concert conversations with artists.

New Finding Aids at the Music Division of the Library of Congress

Posted by: Nicholas A. Brown-Cáceres

Learn about new collection finding aids that have been published by the Library's Music Division. These finding aids provide bibliographic access to the Milton Ager Music Manuscripts, Marvin Hamlisch Papers, Arthur Mendel Correspondence with Igor Stravinsky and Others, Trude Rittmann Papers, William Schuman Music Manuscripts, Robert Wright and George Forrest Papers and more.

Military officers posed for unit photo in front of a building and American flag.

General Pershing’s Musicians: Will Vodery, the U.S. Army Bandmaster School, and the Conservatoire Américain de Fontainebleau

Posted by: Nicholas A. Brown-Cáceres

In commemoration of Veterans Day, Senior Music Specialist Loras John Schissel presents a sketch of an important American arranger, composer, and conductor who broke the color barrier in the U.S. armed forces in 1918. This man was Bandmaster William “Will” Henry Bennet Vodery. Vodery's service in the military and his work as a musician is documented in collections available for researchers in the Performing Arts Reading Room.

Excerpt of handwritten orchestra score for "Wuthering Heights" by Alfred Newman (1939).

New Finding Aids at the Music Division of the Library of Congress

Posted by: Nicholas A. Brown-Cáceres

Learn about six new collection finding aids that have been published by the Library's Music Division. These finding aids provide bibliographic access to the Irwin Bazelon Papers, Harry Chapin Collection, Ann Murphy Collection on the Rockettes and Radio City Music Hall, Alfred Newman Film Music Manuscripts, Park Avenue Synagogue Commissioning Project Correspondence and Hans Spialek Papers.

Man leaning over, adjusting levels on dials on the Buchla 100.

Restoring the Buchla 100

Posted by: Nicholas A. Brown-Cáceres

In a guest blog, Andrew Northrop of the Slade School of Fine Art at University College London discusses a recent effort to restore the Library's Buchla 100 synthesizer. This early electronic music instrument belonged to composer Morton Subotnick (b.1933), who purchased it in 1966 for his studio on Bleecker Street in New York City. Hear a demo of the synthesizer, learn about its history, and experience the process of bringing a unique instrument back to life.