In time for the Christmas season, Senior Music Specialist Kate Rivers explores manuscript sources of composer John Adams' opera-oratorio "El Niño." Composed in 2000 and recently presented at the Metropolitan Opera, "El Niño" is widely regarded as a masterwork of contemporary sacred music. Learn about the primary sources related to the work in the John Adams Music Manuscripts and Papers in the Music Division.
In this guest blog, Senior Music Specialist Ray White discusses the Music Division's recent acquisition of "Last Rites and Matins of the Dead" (ca. 1375-1425), which represents liturgical text, traditions and music of the "Triduum," a three-day period (that includes Halloween and Día de los Muertos) focused on honoring the departed in Western Christian faiths.
Learn about six new collection finding aids that have been published by the Library's Music Division. These finding aids provide bibliographic access to the Irwin Bazelon Papers, Harry Chapin Collection, Ann Murphy Collection on the Rockettes and Radio City Music Hall, Alfred Newman Film Music Manuscripts, Park Avenue Synagogue Commissioning Project Correspondence and Hans Spialek Papers.
In the following guest post, Music Division Archives Processing Technician Dr. Rachel McNellis investigates a musical connection within the recently digitized Giant Bible of Mainz from the Rare Book and Special Collections Division. On April 4, 1952, Lessing J. Rosenwald donated an exquisite treasure to the Library of Congress: the Giant Bible of Mainz. The …
The following is a guest post from Jessica Grimmer, Ph.D., an MLIS student at the University of Maryland completing her field study at the Library of Congress as a member of a team processing the Jessye Norman Papers. In her 2014 memoir, Stand Up Straight and Sing, American opera star Jessye Norman recounts a chance …
The concluding part of this two-part survey of music and disease looks at examples that arose from pandemics in the 19th and 20th centuries, including: works by Stephen Foster and Fanny Mendelssohn Hensel written in the wake of a series of cholera outbreaks, and the sometimes curiously lighthearted musical response to the 1918 influenza pandemic.
Part one of this two-part survey of musical responses to past pandemics focuses on sacred music from the years that the Black Death ravaged medieval Europe. Texts such as the Stella Celi Extirpavit and Recordare Domine illustrate the penitence and fear of the wrath of God that prevailed until the Enlightenment.
