August 2023 marks the fiftieth anniversary of Hip-Hop, said to have begun in 1973 at a little South-Bronx party hosted by DJ Kool Herc. But years before Herc introduced New York to the breakbeat, African-American music and spoken-word traditions had been brewing in the great social unrest of the 60s and 70s to create a …
While Walter Kent and Kim Gannon are the only names credited on the original copyright deposit for the Christmas classic, "I'll be home for Christmas," the label on Crosby's recording credits the song to three names: Kent, Gannon, and Buck Ram. Read about the history of the song and its copyright backstory, illustrated in records from the US Copyright Office. Download the original printed sheet music, registered as an unpublished copyright deposit on September 28, 1943.
British composer Ethel Smyth's 1911 song "The March of the Women," dedicated to Emmeline Pankhurst and the Women's Social and Political Union, became a suffrage anthem in the United Kingdom and abroad. Learn more about Smyth's involvement with the WSPU and access sheet music from the Library of Congress digital collection "Women's Suffrage in Sheet Music."
The Library of Congress By the People project launched its first campaign to feature sheet music in February 2022. "Women's Suffrage in Sheet Music" features approximately 200 titles created before 1923 either for, about, or against the suffrage movement. Once the campaign is transcribed and approved, researchers will be able to keyword search across all text included in the sheet music, including lyrics.
James Weldon Johnson and J. Rosamond Johnson's "Lift Every Voice and Sing" is one of the most significant hymns in American history. Read more about the genesis of the song and download sheet music published in 1900 and 1921.
The Music Division has published three new digital collections, including the Martorell Collection, music manuscripts from the A.P. Schmidt Collection, and Sheet Music of the Musical Theater.
An obscure composer from the late 18th and early 19th century, Nicola Sampieri self-published most of his music with programmatic titles, intricate engravings, and specific instructions for performance that included both sound effects and visual displays.