The following is a guest post from music archivist Anita M. Weber.
At a recent production of Paula Vogel’s Indecent, the sight of renowned Austrian-American actor Rudolph Schildkraut depicted on stage reminded me of the four remarkable scrapbooks in the Music Division that document the careers of Rudolph (1862-1930) and his son, fellow actor Joseph (1895-1964) in Europe and the United States. The Rudolph and Joseph Schildkraut Scrapbooks contain photographs, clippings, programs, and iconography. Joseph’s last wife Leonora, created the volumes for her husband.
While few in number, the scrapbooks are a delight to peruse. The early volumes are full of cartes de visites and cabinet cards depicting the two actors in character: Rudolph as Lear, Shylock, Malvolio, and Mephisto; Joseph as a child actor in Der junge Fritz and The Fawn and in such Shakespearean roles as Oberon and the Fool. The images of Rudolph practically jump off the page with the intensity of his portrayals.
Rudolph acted in itinerant troupes and played in comedies and operettas on the Viennese stage before taking on dramatic roles in Germany and the United States. Rudolph frequently played character roles that made the most of his strong and expressive facial features.
Both men acted in Cecil B. de Mille epics, including King of Kings, with Rudolph as Caiaphas and Joseph as Judas Iscariot—one of the few times the two men appeared on film together.
Joseph played the role of Liliom in the 1921 Broadway production of Ferenc Molnár’s play of the same name and became Otto Frank in The Diary of Anne Frank (1957) on Broadway and in the subsequent 1959 film.
Among his dozens of roles are Chevalier de Vaudrey in D. W. Griffith’s Orphans in the Storm with Lillian Gish, Gaylord Ravenal in the 1929 version of Show Boat, Alfred Dreyfus in The Life of Emile Zola (for which he received an Academy Award in 1937), and Ferencz Vadas in Ernst Lubitsch’s romantic comedy The Shop Around the Corner (1940).
Researchers and enthusiasts interested in the Schildkrauts, theater of late 19th- and early 20th-century Germany and Eastern Europe, the Yiddish theater of New York City, and film in Europe and the U.S. will find much to interest them in these fascinating books. Contact a reference librarian in the Performing Arts Reading Room to learn more about researching these scrapbooks and related material.