The following is a guest post from Music Division Archivist Janet McKinney. By their very nature, the performing arts depend on the key element of live interaction. But what happens to this art when that component is taken away? In March 2020, concert halls, theaters, and other live performance venues were forced to close their …
As we recognize the 100th anniversary of the dedication of the Lincoln Memorial, the Music Division highlights Marian Anderson's iconic 1939 concert at the Lincoln Memorial by sharing a program and related telegram from the Elizabeth Sprague Coolidge Foundation Collection.
Emily Baumgart announces the forthcoming finding aid on the papers of Alice Eversman and Elena de Sayn, two Washington, D.C. area musicians connected to an international network of women musicians.
British composer Ethel Smyth's 1911 song "The March of the Women," dedicated to Emmeline Pankhurst and the Women's Social and Political Union, became a suffrage anthem in the United Kingdom and abroad. Learn more about Smyth's involvement with the WSPU and access sheet music from the Library of Congress digital collection "Women's Suffrage in Sheet Music."
On March 1, 2022, In the Muse published a blog post announcing a finding aid to the Music Division’s Florence B. Price Music Manuscripts. Although we are proud to enhance discoverability of the Library’s Florence Price manuscripts with the finding aid, the blog post contained some inaccurate information and lacked appropriate citations. After considering the concerns raised with the post, the …
The Library of Congress By the People project launched its first campaign to feature sheet music in February 2022. "Women's Suffrage in Sheet Music" features approximately 200 titles created before 1923 either for, about, or against the suffrage movement. Once the campaign is transcribed and approved, researchers will be able to keyword search across all text included in the sheet music, including lyrics.
Back in October 2021, my dear colleagues in the Music Division Concert Office asked me to film a short curator talk about our world famous Nicolò Paganini holdings. As I learned more about Maia Bang Hohn, whose widower Charles sold the materials to the Library, I realized that she is more than just a collector in a footnote. In this blog post, I share some of my findings that couldn’t make it into my brief video as well as reiterate some key ones that did.
The following is a blog post from first author Kaleena Black and co-author Claudia Morales. It was published on NAFME “Music Educators Journal”– September 2021 issue Kaleena Black is an Educational Resources Specialist at the Library of Congress. She can be reached at [email protected]. Claudia Morales is a Concert Producer at the Library of Congress. She …