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Digitizing Braille Music 2018

Posted by: Donna Koh

This is our fourth blog on the digitization of braille music. So, what is new with this project? First, we are boosting our production by outsourcing the proofreading of scores scanned using Optical Braille Recognition (OBR). Our braille music specialist Gilbert Busch continues to review all the scans completed on DotScan so we can provide …

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From Nigeria to Colombia: an Homage to Braille Music

Posted by: Donna Koh

I recently read a compelling blog post about a 2015 Pulitzer-winning historical fiction novel.  The blogger, a college professor who is blind, expressed her sadness and frustration about the book’s misrepresentation of blind people described through the actions and inactions of the book’s young blind heroine. The blogger also lamented how most sighted readers accepted …

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Braille Music Transcriber and Renaissance Woman, Karen Gearreald, Part 2

Posted by: Donna Koh

Continued from last week. Part 2 Q. What percentage of students who enroll in the program become LOC certified braille music transcribers? What are the most common obstacles to successfully completing the program? A. After concentrated study for a length of time ranging from several months to several years, about 50% of enrollees achieve certification …

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Braille Music Transcriber and Renaissance Woman: Karen Gearreald, Part 1

Posted by: Donna Koh

Part 1 Karen Gearreald has been an NLS patron since 1951, and when the Music Section was established in 1962, she enrolled for music services. She currently serves as a braille music advisor and instructor for the Library of Congress (LOC) Braille Music Transcription Certification program. While I initially contacted Karen to interview her about her …

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Tactile Staff Notation

Posted by: Donna Koh

Today’s post is about the braille books in our collection that explain to blind readers how staff notation (print music) works. In case you are wondering why blind musicians need to know staff notation, two important reasons come to mind. First, music teachers who are visually impaired must be able to help their sighted students …

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Aiming Beyond Graduation: Creating Inclusive College Music Courses for Blind and Visually Impaired Students, Part 1

Posted by: Donna Koh

Part 1 The end goal for most college music students is to develop and cultivate skills to prepare for a successful musical career after graduation. For some music students with visual impairment (V.I.), just getting through the college degree program can be challenging.  Here are some common reasons: inability to learn a large amount of …

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Discussing Braille Music with Lifetime NLS Patron Linn Sorge, Part 2

Posted by: Donna Koh

Continued from last week  5. When should a music student start learning braille music? As soon as a youngster is reading braille somewhat comfortably, I believe they can begin to read music braille. If they keep playing by ear, then the desire to learn to read music diminishes. And sadly, very often there is no …