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Archive for the Braille libretto Category (13 posts)

Carnegie Hall of the South: Nashville’s Musical Legacy, Part 2

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This is the second half of a two-part post on Nashville’s musical history and related books in the NLS Music Collection. Read the first part here: Athens of the South: Nashville’s Musical Legacy, Part 1.

Nashville’s most famous music venue, the Ryman Auditorium, was completed in 1892 and was originally a church called the Union Gospel Tabernacle. With the addition of a gallery in 1897, it became the largest assembly hall in the South and hosted a wide variety of events, such as conventions, lectures, political speeches, recitals, and musical programs. John Philip Sousa’s Peerless Band first performed there in 1894, and in 1896 the Fisk Jubilee Singers gave a joint concert with the Mozart Society. Although the addition of a stage in 1901 reduced seating capacity to 3,500, it allowed the Ryman to host the Metropolitan Opera for the first time in a performance of Carmen that year. Opera-style boxes were added to the gallery before the performance.

Color lithograph advertising opera star Emma Calve

Mr. John Cort presents Calvé. Color lithograph by the U.S. Lithograph Co., 1907. //hdl.loc.gov/loc.pnp/var.0160

The subsequent decades saw the Ryman host a veritable parade of celebrities musical and otherwise under the leadership of indefatigable manager Lula Naff, earning it the nickname “Carnegie Hall of the South.” Indeed, by 1909 the Ryman had developed a “national reputation for its acoustic properties” and regularly hosted recitals by famous opera singers, such as Emma Calvé in 1906, Emma Eames in 1909, and in 1916 John McCormack, known as the “World’s Greatest Lyric Opera Tenor.” The first ticketed event to sell out the Ryman was Helen Keller and Anne Sullivan Macy’s appearance in 1913, at which Keller gave a speech and answered questions from the audience. The 1919 season saw performances by the Vatican Choirs, opera stars Enrico Caruso and Amelita Galli-Curci, and an all-star opera cast that presented Verdi’s Rigoletto and Aïda. Mamie Smith and the Jazz Hounds gave the first documented blues performance at the Ryman in 1921. Contralto Marian Anderson, the first permanent African American member of the Metropolitan Opera, graced the stage in 1932, and in 1937 the Ballet Russe de Monte Carlo performed Swan Lake, Prince Igor, and Aurora’s Wedding. Six years later the already-venerable Ryman became the home of the Grand Ole Opry radio show, thus signaling a new phase of popularity for country music. Indeed, Opry star Minnie Pearl remembered, “I was aware that things had changed when we moved into the Ryman.”

Black and white photograph of Amelita Galli-Curci

Amelita Galli-Curci, head-and-shoulders portrait, facing left. Photographic print ca. 1919. //hdl.loc.gov/loc.pnp/cph.3c05244

Listen to this 1917 recording of Amelita Galli-Curci and Enrico Caruso singing in the quartet “Bella figlia dell’amore” from Verdi’s Rigoletto, courtesy of the Library of Congress National Jukebox.

I invite you to celebrate Nashville’s rich musical past with the following books and sheet music from the NLS Music Section. This is but a small selection of our books on these topics. Please browse our Music Appreciation Catalog, Music Instruction Catalog, and Large-Print Scores and Books Catalog. Contact the Music Section by phone at 1-800-424-8567, option 2, or e-mail [email protected] to learn more.

Audiobooks

Braille books and sheet music

Large-print books and sheet music

  • Carmen libretto in French and English (LPM00457)
  • Rigoletto libretto in Italian and English (LPM00450)
  • Aïda libretto in Italian and English (LPM00445)

Additional related resources from the Library of Congress:

 

Athens of the South: Nashville’s Musical Legacy, Part 1

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Here in the Music Section of the National Library Service we are counting down the days until the National Conference of Librarians Serving Blind and Physically Handicapped Individuals begins next month in Music City, Nashville, Tennessee! As I mentioned in my last article, I’ve been taking the opportunity to learn about the musical history of […]

Bernstein at 100

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When I was in grade school, our chorus teacher let us hear a record called What Is Jazz (DBM00704), where tone color, blue notes, syncopation, and other aspects of jazz were described by a man named Leonard Bernstein (I assumed that he was a jazz piano player). By sixth grade I was listening to classical music […]

Going with “Ahmal” Once Again

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“Oh, no—opera!” I thought as the recording of Amahl and the Night Visitors started. I was perhaps a fourth grader at the Western Pennsylvania School for Blind Children in Pittsburgh then, hearing this one-act opera for the first time. Although I could not always understand the words, I had to admit that the mother’s operatic […]

Veterans Day and Armistice Day – Composers in World War I

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This blog takes a look at composers who were affected by World War I and the music that they composed.

Celebrating that “Parisienne Gaiety”

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When I was a teenager, I began learning about classical music by listening to radio programs in the evening. Often the shows would begin with an overture or “light classic”, such as the Light Cavalry Overture (which our school band played), or the William Tell Overture (the “Lone Ranger” to me). There was also a […]

American Composers and Musicians from A to Z: A (Part 1 – Adams, John)

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The following is a guest blog post from the new section head of the NLS Music Section, Juliette Appold. Have you ever thought about listing classical and contemporary composers by their last names from A to Z? How about identifying American composers from A to Z? And how about filling the alphabet with names of […]

Vacation Listening, and Much More

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On May 13, I was baking cookies and listening to the Met Broadcast of Strauss’s Der Rosenkavalier. One of the announcers explained that this production would take place not in the 18th century, but in 1911, the year it was composed (also the year that Mahler died, I thought to myself). And that’s when it […]

For Braille Readers—A Real Treasure Trove

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This afternoon, I looked at the Metropolitan Opera schedule, which appears in the October-December issue of our quarterly magazine The Musical Mainstream. It lists all of the operas to be performed, along with NLS materials, librettos, lectures, etc., pertaining to the operas. Nowhere did I find any mention of a reference book that I read […]

A Trip Around the World with the NLS Music Section

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Do you want to learn how to play piano? We have a book for you! Do you want the libretto for your favorite opera? We have that as well! Do you want to learn about folk music from around the world? Well, we also have books about that. Many patrons get to know us through […]