Continued from last week. Part 2 My second day at the school, which was a Saturday, was spent observing private lessons and group classes. Saturday at the school is mostly reserved for the youth programs. I was eager to attend as many lessons as possible and what I saw was fascinating and memorable. I attended …
This is a guest post from Hannah Noel, a West Coast native currently living in North Carolina. She is a recent graduate of UNC Chapel Hill’s School of Information and Library Science, where she earned her MSLS and focused her studies on archival work in an arts and museum-specific context. She is interning at NLS at the …
It’s the last week of September, and time to list some recent braille music acquisitions. You may call to request hard copies, or you may download them from the BARD site. Sorry, no recordings this week, but we hope there will be some very soon. Cello Brahms, Johannes. Sonata No. 1, Op. 38 (BRM07814) Choral …
This week, we will take a look at American composer George Gershwin. George Gershwin was one of the first American composers to use both popular and classical idioms. Years before his most famous compositions were penned, he worked on Tin Pan Alley as a song plugger—that is, someone who was hired to play and promote …
I’m not sure what attracts listeners to large choral works, but for myself, I go for the musical line first. Only later do I find out what the chorus or soloists are singing about. But I wonder: are composers drawn to texts and create melodies to match, or do they have a file of melodies …
British composer Samuel Coleridge-Taylor was born on August 15th in 1875. One of the more popular composers in England and the United States during the turn of the 20th century, he composed many works for choir, piano, and larger instrumental ensembles; however, his works are seldom performed today. Samuel Coleridge-Taylor was born in London to …
