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For Braille Readers—A Real Treasure Trove

This afternoon, I looked at the Metropolitan Opera schedule, which appears in the October-December issue of our quarterly magazine The Musical Mainstream. It lists all of the operas to be performed, along with NLS materials, librettos, lectures, etc., pertaining to the operas. Nowhere did I find any mention of a reference book that I read […]

A King and a (Fairy) Queen: Music by Henry Purcell in the NLS Collection

Today (September 10th) we celebrate Henry Purcell’s 356th birthday [Note: this date is actually disputed as no official baptismal record has been found. However, we will use this commonly accepted date, as it gives us a chance to talk about his music!]. Purcell’s contribution to Western classical music is indispensable, as it has influenced numerous other […]

Music History: 101

Recently, we mentioned the Music Section’s acquisition of the sixth edition, Norton Anthology of Western Music, Vol. 3, Twentieth Century. This time of year also marks the beginning of the college spring semester, and we have seen a rise in the average amount of our music history related inquiries. Music history has been on the “brain” of […]

Some Splendid Saint-Saëns Selections

Today we celebrate the 179th birthday of Camille Saint-Saëns, a famous French composer, most well-known for his works The Carnival of the Animals, Danse macabre, Samson and Delilah, and a number of other pieces. Saint-Saëns began his musical studies at the incredible age of three, while he was living with his mother and aunt in […]

In Performance: Musicians Take the Stage

While most people associate Louis Braille with the system of reading and writing for the blind, many are not aware he was also an accomplished organist and musician.  There is good evidence he created the Braille code for music first and language second.  But whichever came first, the literary or the music code, we’re just grateful […]

Opera Fans Know What’s Happening, but the Devil is in the Details or…Libretti for Everybody!

Some of the Music Section’s most ardent patrons are operagoers.  This comes as no surprise to other opera aficionados, but blind/low vision operagoers are usually not able to pick up a program in braille or large print and read a synopsis when they arrive at the theater; that is, until they (or the opera companies) […]