Top of page

Archive: December 2018 (22 Posts)

A view looking past a digital display screen towards the doors of an indoor theater, with

Now Playing at the Packard Campus (Dec. 6-8, 2018)

Posted by: Cary O’Dell

The following is a guest post by Jenny Paxson of the Packard Campus. Thursday, December 6 (7:30 p.m.) Mr. Sardonicus (Columbia, 1961) Prolific and innovative filmmaker William Castle, best known for his promotional gimmicks in a string of popular low-budget thrillers such as House on Haunted Hill and The Tingler (both 1959) and Homicidal (1961), …

A view looking past a digital display screen towards the doors of an indoor theater, with

“Little Nemo”: National Film Registry #21

Posted by: Cary O’Dell

In 2009, the Library of Congress’s National Film Registry added the charming and innovative animated work “Little Nemo” to its list. Animated works–both long-form and short-form-are often added to the Registry.  And no list that attempts to convey the depth and richness of animation can ignore the work of the great Winsor McCay. As Daniel Eagan wrote …

A view looking past a digital display screen towards the doors of an indoor theater, with

“Johnny Guitar”: National Film Registry #20

Posted by: Cary O’Dell

Joan Crawford, once the queen of the MGM lot,  had one of her very best late-career roles in the film “Johnny Guitar” which was added to the National Registry in 2008. “Johnny” is a unique and one-of-a-kind Western which Michael Schlesinger attempts to get a handle on by saying: “There are very few films—especially from Hollywood studios—that …

A view looking past a digital display screen towards the doors of an indoor theater, with

“Close Encounters of the Third Kind”: National Film Registry #19

Posted by: Cary O’Dell

It was in 2007, that the sci-fi classic “Close Encounters” was added to the Library’s National Film Registry.  Richard Dreyfuss, Teri Garr and Melinda Dillon starred in the film that forever put Devil’s Tower on the map and seemed to codify the popular depiction of space aliens. Writer Matt Zoller Seitz looked back at this landmark film …