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Very noir image of Joan Bennett looking out the titular window at Edward G. Robinson who is looking at us!
"The Woman in the Window" (1944)

Film Loans from the Library of Congress — September 2024

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Here are some of the titles from the Library’s motion picture collections–many preserved by the NAVCC film laboratory–that we’re loaning for exhibition this month. As always, we can’t guarantee that schedules won’t change or links get broken, but this is our best information at the time of publication.

 

Black and white block lettering that spells out the title on the left-hand side and action-y pics from the film on the right.
“The Spook Who Sat By The Door” (1973)

Brooklyn Academy of Music     Brooklyn, New York

THE SPOOK WHO SAT BY THE DOOR (1973), DCP     September 1-5, 2024

https://www.bam.org/film/2024/the-spook-who-sat-by-the-door

JEKYLL AND MR. HYDE (1931), 35mm September 15 +18, 2024

https://www.bam.org/film/2024/im-not-myself-today-dr-jekyll-and-mr-hyde

Buster Keaton's head occupies the center space of this poster as the heads/faces of seven lovelies exist around him.
“Seven Chances” (1925)

George Eastman Museum     Rochester, New York

SEVEN CHANCES (1925), 35mm     September 3, 2024

https://www.eastman.org/event/film-screenings/cops-seven-chances-35mm

Hand-tinted lobby card with cast of film apprehending a hostage.
“The Dawn Patrol” (1930)

Svenska Filminstitutet     Stockholm, Sweden

THE DAWN PATROL (1930), 35mm     September 10, 2024

TIGER SHARK (1932), 35mm     September 14, 2024

THE CRADLE SNATCHERS (1927), 35mm     September 22, 2024

https://www.filminstitutet.se/sv/se-och-samtala-om-film/cinemateket-stockholm/cinemateket-ht-2024-tid/howard-hawks—underjordiska-sallskapslekar/

 

Color-tinted lobby card with photo of Lillian Gish in upper left corner and scene from film of Gish leaning over sickly, bedridden man.
“The Enemy” (1927)

 

Fondation Jérôme Seydoux-Pathé     Paris, France

THE ENEMY (1927), 35mm     September 11 and 28, 2024

https://www.fondation-jeromeseydoux-pathe.com/event/2693

Very noir image of Joan Bennett looking out the titular window at Edward G. Robinson who is looking at us!
“The Woman in the Window” (1944)

Stanford Theatre     Palo Alto, California

WOMAN IN THE WINDOW (1944), 35mm     September 12-13, 2024

CAT PEOPLE (1942), 35mm     September 12-13, 2024

THE LEOPARD MAN (1943), 35mm     September 19-20, 2024

SCARLET STREET (1945), 35mm     September 21-22, 2024

THE BODY SNATCHER (1945), 35mm     September 26-27, 2024

https://stanfordtheatre.org/calendars/Film%20Noir%202024.html

Photo of Clara Bow holding both a lasso and a gun as she captures the illustration of a crown-wearing man.
“Get Your Man” (1927)

Filmhaus Nürnberg     Nuremberg, Germany

GET YOR MAN (1927), 35mm     September 15, 2024

CHRISTOPHER STRONG (1933), 35mm     September 29, 2024

https://www.kunstkulturquartier.de/filmhaus/programm/schwerpunkte/the-female-gaze-a-tribute-to-dorothy-arzner

Lobby card illustration of young woman at center for picture as a white-clad matronly nurse looks on.
“Where Are My Children?” (1916)

 

Berkely Museum of Art and Pacific Film Archive     Berkeley, California

WHEN MARION WAS LITTLE (1911), 35mm     September 18, 2024

THE NEW LOVE AND THE OLD (1912), 35mm     September 18, 2024

THE ROADS LEAD HOME (1912), 35mm     September 18, 2024

NAPOLEON (1913), 35mm     September 18, 2024

https://bampfa.org/event/alice-guy-blache-louis-feuillade-silent-cinema-pioneers

WHERE ARE MY CHILDREN (19) DCP     September 25, 2024

https://bampfa.org/event/cecil-b-demille-lois-weber-silent-cinema-pioneers

Busy poster for film with the stern looking face of Burt Lancaster gazing out passed a sexy-looking dame.
“Brute Force” (1947)

Redford Theatre     Detroit, Michigan

BRUTE FORCE (1947), 35mm     September 21, 2024

https://redfordtheatre.com/events/noir-city-detroit-double-feature-03/

A blood red background and, in front, the figures of three desperate men!
“The Hitch-Hiker” (1953)

 

Arsenal     Berlin, Germany

THE HITCH-HIKER (1953), 35mm     September 21, 2024

https://www.arsenal-berlin.de/en/cinema/film-screening/4074/

Barbara Stanwyck holds the phone as a creepy hand reaches out to her!
“Sorry, Wrong Number” (1948)

Campus Theatre     Lewisburg, Pennsylvania

SORRY, WRONG NUMBER (1948), 35mm     September 25, 2024

https://www.campustheatre.org/movies/sorry-wrong-number/

Very deco illustrations of dueling flappers.
“Bare Knees” (1928)

The County Theatre     Doylestown, Pennsylvania

BARKE KNEES (1928), digital     September 26, 2024

https://countytheater.org/films/bare-knees

Rosiland Russell (center) with "head shots" of all casts members around her.
“Craig’s Wife” (1936)

Block Cinema     Evanston Illinois

CRAIG’S WIFE (1936), 35mm     September 28, 2024

https://www.blockmuseum.northwestern.edu/cinema/

Constance Bennett in a classic profile in this lobby card for the film.
“Rockabye” (1932)

 

Cinémathèque Française     Paris, France

ROCKABYE (1932), 35mm     September 30, 2024

https://www.cinematheque.fr/seance/41578.html

 

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