One of our very earliest Now See Hear! posts was about our wonderful collection of the copyright descriptions that accompanied films submitted for registration starting in 1912. At the very end we noted “several years ago we digitized many hundreds of the microfilm reels onto which the descriptions were originally transferred, and we’re looking for …
Yesterday was a pretty momentous day in America, and not just because so many of us got a head start on breaking New Year’s resolutions. It also was a significant milestone in the history of intellectual property rights for a variety of expressive works, including motion pictures. Put simply, motion pictures with renewed copyrights published …
The following is a guest post by David Gibson, a Processing Technician in the Moving Image Section. The Library of Congress Packard Campus for Audio Visual Conservation has welcomed hundreds of visitors from all corners of the globe since its opening more than nine years ago. This year alone we hosted the 10th Orphan Film …
There’s lots of reminiscing in the Moving Image Section today about Robin Williams. My younger colleagues first remember him from Aladdin (1992) and Mrs. Doubtfire (1993), for others it was his Eighties films Good Morning, Vietnam (1987) and Dead Poets Society (1989), and for folks of my generation, he’ll always be a little bit Mork. …
Last week my colleague Daniel Blazek told the interesting story of how the Library came to acquire audio transcription discs of 1960s-era Tonight Show broadcasts via the Armed Forces Radio and Television Service. Of course, the very existence of these discs is, to say the least, unexpected—record discs of TV show audio?—and given the preservation …
Like a lot of boomers, The Brady Bunch (ABC, 1969-1974) was a beloved television show of my early youth. It was easy to envy the Bradys. They lived in a large, airy house with a big kitchen, a magnificent open staircase, and, especially, a yard made out of artificial turf. Occasionally a celebrity like Joe …
The Library’s moving image collections began with a bureaucratic decision. In August 1893, an unnamed employee (but most likely W.K.L. Dickson) of the Thomas Edison Laboratories in West Orange, NJ, where work had been going on for several years to develop motion picture photography, sent sequential frames from various camera tests to the Copyright Office. …
While it’s very easy to identify the oldest surviving motion picture registered for copyright—Edison Kinetoscopic Record of a Sneeze, which I talked about in this post—it’s much trickier pinpointing the oldest copyrighted television program. [I’ll wait here while you do an internet search on “first copyrighted film” and then “first copyrighted tv show.” See what …
Although the collections of the NAVCC are rightfully associated with audiovisual content (after all, it’s in our name), we have a tremendous amount of paper records—well in excess of two million items. And for moving images, this documentation really runs the gamut: posters, lobby cards, photographs, festival catalogs, scripts, trade periodicals, press kits, and on …