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Now Playing at the Packard Campus Theater (January 23 – 25, 2020)

The following is a guest post by Jenny Paxson of the Packard Campus.

Thursday, January 23 (7:30 p.m.)
The Roaring Twenties (Warner Bros., 1939)
Prohibition became the law of the land at the stroke of midnight on January 17, 1920, and lasted until December 1933. This period of failed social experimentation provided the inspiration for a great many Hollywood films both during and after its implementation, and to commemorate Prohibition’s centenary we’re showing three films this week starting with The Roaring Twenties from 1939 which serves to frame an overview of the tumultuous decade. James Cagney and Humphrey Bogart star as former WWI Army buddies who become prohibition racketeers in this hard-hitting gangster film, directed by Raoul Walsh. The voice-over narration by journalist-turned-producer Mark Hellinger–assuring audiences that “what they are about to see is based upon real people and events” he covered as a newsman during the 1920s–and the use of actual newsreel footage give the crime drama a documentary feel. The film also stars Priscilla Lane, Jeffrey Lynn, Gladys George, Frank McHugh and Paul Kelly. 35mm film print. 104 minutes.

Little Caesar (Warner Bros., 1931)

Friday, January 24 (7:30 p.m.)
Little Caesar (Warner Bros., 1931)
No studio released more Prohibition-themed films than Warner Bros., for whom “stories torn from today’s headlines” was both an advertising slogan and a production strategy. That was especially evident in a brilliant cycle of early 1930s gangster films, starting with Little Caesar in 1931. Edward G. Robinson’s breakout role of Rico Bandello was loosely based on Al Capone and the film proved enormously influential in establishing the gangster drama that Warner Bros. and other studios would return to repeatedly throughout the decade. Douglas Fairbanks, Jr., costars as Robinson’s sidekick and the film was directed with great verve by Mervyn LeRoy. Little Caesar was added to the National Film Registry in 2000. 35mm film print. 79 minutes.

Saturday, January 25 (7:30 p.m.)
The Untouchables (Paramount, 1987 – rated R*)
Incorruptible federal agent Eliot Ness (Kevin Costner) and his Irish cop partner Jimmy Malone (Sean Connery) take on crime king Al Capone (Robert DeNiro) in this crime thriller directed by Brian DePalma from a script by David Mamet based on Ness’ book. Violent, yes, but a tremendous amount of fun capped by a brilliant homage to the Odessa Steps sequence from The Battleship Potemkin that foregrounds the film’s sly, winking visuals. Sean Connery won an Academy Award for Best Supporting Actor and the film received Oscar nominations for Best Production Design, Best Costume Design and Best Original Score for Ennio Morricone. *No one under the age of 17 will be admitted without a parent or guardian. 35mm film print. 119 minutes.

For more information on our programs, please visit the website at: //www.loc.gov/avconservation/theater/

Now Playing at the Packard Campus Theater (Nov. 21 – 23, 2019)

The following is a guest post by Jenny Paxson of the Packard Campus. Thursday, November 21 (7:30 p.m.) Funeral in Berlin (Paramount, 1966) British Intelligence agent Harry Palmer (Michael Caine) is sent to Germany to arrange the defection of Colonel Stok (Oskar Homolka), a Russian intelligence officer posted to East Berlin, despite Harry’s suspicions of […]

Now Playing at the Packard Campus Theater (Oct. 24 – 26, 2019)

The following is a guest post by Jenny Paxson of the Packard Campus. Thursday, October 24 (7:30 p.m.) The Monster Squad (TriStar Pictures, 1987) The Monster Squad, a secret club of five pre-teen, old-horror-movie loving boys, find their obsession with the genre useful when their town in suddenly invaded by the Wolfman, Frankenstein, the Mummy […]

At the Packard Campus Theater – August 2019

Packard Campus Theater Schedule for August, 2019 The 50th anniversary of the legendary Woodstock Music Festival will be celebrated with two programs on Saturday, August 10 – a 2 p.m. matinee of rare outtakes that didn’t make it into the 1970 documentary and at 7:30, the original release of Woodstock which was added to the […]

Now Playing at the Packard Campus Theater (July 5 – 6, 2019)

The following is a guest post by Jenny Paxson of the Packard Campus. Friday, July 5 (7:30 p.m.) Footloose (Paramount, 1984) Kevin Bacon, in the role that made him a star, plays Chicago teenager Ren McCormack who is transplanted to an ultra-conservative small town in Utah where dancing is outlawed. Recruiting his best pal, the […]

Forever “September”: An Interview with Allee Willis

Allee Willis today in her home For the past 25 years, the Library of Congress has celebrated the nation’s heritage sound recordings and has highlighted the importance of their long-term preservation by nominating 25 aesthetically, culturally or historically significant recordings to the National Recording Registry. The National Recording Registry includes recordings ranging from rap to […]

Now Playing at the Packard Campus Theater (April 4-6, 2019)

The following is a guest post by Jenny Paxson of the Packard Campus. Thursday, April 4 (7:30 p.m.) Pre-Code Double Feature Finishing School (RKO, 1934) The scandalous goings-on in an upper-crust private school for young women is the setting for this pre-Code school girl dramedy, co-directed (with George Nichols Jr.) by screenwriter Wanda Tuchock (Hallelujah!, […]

LIBRARY ADDS 25 NEW TITLES TO NATIONAL RECORDING REGISTRY!

This morning, the Library of Congress announced the newest 25 additions to its National Recorded Sound Registry.  Marking its 17th year this year, the National Recording Registry which honors all types of recorded sound–from music to spoken word to radio broadcasts—as long as the recordings have been historically, culturally or aesthetically significant. The latest 25 takes the […]

Revisiting the National Recording Registry: Non-Music Recordings

The National Recording Registry  is well-known for its selections of music of all genres, but did you know about all of the historic radio and spoken word recordings that have also been inducted to the Registry? The Registry ensures that recordings that are “culturally, historically, or aesthetically significant” get preserved for future generations, and many […]