Today’s entry is a guest post by Jan McKee, Reference Librarian, Recorded Sound Research Center. I have always wondered about the Edison tone tests. Is it really possible that an audience could not tell the difference between an Edison Diamond Disc being played on a phonograph and the live performer singing while standing next to …
This blog post was co-written with Jan McKee, Reference Librarian, Recorded Sound Section, Library of Congress. In addition to providing access to the Library’s recorded sound collection, the Recorded Sound Research Center also maintains a collection of reference books. These books include discographies, bio-discographies, directories, histories, and technical works about sound recording and radio broadcasting. …
Folklorist Norm Cohen has astutely observed that “[f]olklore thrives where danger threatens” (The Long Steel Rail, cited below, p. 169). The annals of commercially recorded traditional and popular song provide abundant support for this conclusion. In fact, by the early twentieth century — especially the decades of the teens and twenties — nearly every imaginable disaster or mishap was memorialized in song. Natural disasters are …
This blog post was co-written with Matt Barton, Curator, Recorded Sound Section, Library of Congress Each year, the National Recording Registry at the Library of Congress chooses 25 recordings showcasing the range and diversity of American recorded sound heritage in order to increase preservation awareness. The diversity of nominations received highlights the richness of the …
This blog post was co-written with Jan McKee, Reference Librarian, Recorded Sound Section, Library of Congress It wouldn’t be St. Patrick’s Day without some sentimental Irish ballads to listen to with our green beer, and the name that is most synonymous with Irish ballads is John McCormack. John McCormack (1884-1945) was an Irish born American …
Al Kooper, may not be as well-known as shock-rocker, Alice Cooper, but he has had a significant impact in the recording industry both behind the scenes and at center stage for several decades. This week we wanted to share an interview with Al Kooper from the Joe Smith Collection in the Recorded Sound Section at the Library of Congress. The Joe Smith collection …
Be sure to tune into the 57th Annual Grammy Awards this Sunday. We’ll be watching it with great interest here in the Recorded Sound Section at the Library of Congress as two members of our technical staff have been nominated! Robert Friedrich, Audio Preservation Specialist at the Library’s National Audio-Visual Conservation Center, has been nominated …
This blog post was co-written with Jan McKee, Reference Librarian, Recorded Sound Section, Library of Congress. The Recorded Sound Research Center not only provides access to the Library’s sound recordings but it also maintains a collection of reference books that support materials in the collection. These books include discographies, bio-discographies, directories, histories, and technical works …
Of all the roles I’ve done, the one I’d like best to be remembered for is Scrooge. It is unquestionably one of my favorites. Lionel Barrymore, Dec. 21, 1947. The New York Times. (Interview with Dorothy O’Leary). When MGM Records released A Christmas Carol in 1947, Lionel Barrymore had been playing Ebenezer Scrooge for twelve …