The following is a guest post by Beverly Brannan, Curator of Photography; Adam Silvia, Associate Curator of Photography; and Helena Zinkham, Chief, Prints and Photographs Division.
The Annenberg Space for Photography in Los Angeles, California, has created a lively exhibition called “Not an Ostrich: And Other Images from America’s Library.” In support of the show, more than 300 digitized images are newly available online for everyone to see! An estimated 200 of the pictures are free to use and re-use. The selections come from the Prints and Photographs Division, home to one of the largest and most diverse photography collections in the United States.
“Each photograph exposes us to just a fraction of the millions of American stories held in the Library of Congress, from the iconic to the absurd,” said Annenberg Foundation Chairman of the Board, President, and CEO Wallis Annenberg. “Though cameras and technology have changed over the years, this exhibition shows us that nothing captures a moment, a time, or a story like a photograph.”
The title of the exhibit, “Not an Ostrich,” reminds us to ask—“What are we really looking at?” and also suggests the whimsical quality of many photographs in the show. Other photographs, however, provoke serious reflection on different cultures and social and environmental conditions.
Renowned photography curator Anne Wilkes Tucker worked closely with Library of Congress curators, reference librarians, catalogers, and digitization specialists for several years to identify engaging, surprising, and beautiful images. The resulting selections combine such Library icons as “Migrant Mother” and the earliest known photographic portrait made in the United States with new discoveries. More than one million pictures were online before this project began. But, with 15 million photographs in the collection typically described in groups of related images, the individual pictures can often feel uncataloged and unfindable. Browsing among the files and soliciting staff suggestions revealed many fascinating images to include in the exhibition.
It’s always a good idea to Ask A Librarian!
The exhibit includes a daguerreotype that dates all the way back to 1839, recently created digital photography, and everything in between, thus telling the history of photography in the United States as well as revealing dramatic moments in personal lives. The thematic sections highlight strengths of the collections: the Arts, Leisure, Sports, Built Environment, Business & Science, Civil Action, Daily Life, and Portraits. Selections from the Detroit Publishing Company, the Carol M. Highsmith Archive, and the Camilo J. Vergara Archive provide insight into changes in urban and rural America over time. A special section features photographers in action.
A documentary movie made by the Annenberg Foundation will also be available. It includes interviews with several photographers, plus behind-the-scene views at the Library. Museumgoers on the West Coast can enjoy the exhibit in person from April 21 to September 9, 2018. Displaying primarily on large screens where the images change, the exhibit offers a chance to experience an eye-catching array of more than 400 pictures.
- View photos digitized for the “Not an Ostrich” exhibit, including the many free to use and re-use photographs.
- Explore featured content and events for the exhibition at the Annenberg Space for Photography.
- Read an interview between Anne Tucker and Jim Estrin in the Lens blog, New York Times, April 13, 2018 “The Power of Pictures: Viewing History Through America’s Library.”
- Have a look at the Library’s press release about the exhibition.