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Drawing in black ink of a modern building: Paul Rudolph's architectural office in Manhattan. Perspective section rendering, with furnishings
Paul Rudolph's architectural office in Manhattan. Ink drawing by Paul Rudolph, 1967. http://hdl.loc.gov/loc.pnp/ppmsca.26509

“Materialized Space”: An Exhibit of Paul Rudolph’s Architecture at The Met

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The following is a guest post by Helena Zinkham, Chief, Prints & Photographs Division.

The Paul M. Rudolph Archive has become our most heavily used collection for the work of a single architect. Enthusiasts of modernism, building preservationists, and students and scholars from all over the world are among the many researchers who study this collection.  They want to show how much Paul Rudolph (1918-1997) accomplished throughout his life, including the brutalist concrete style for which he became famous. Over the past 5 years, we’ve served drawings, photographs, and textual records in more than 2,000 large and small boxes to help these researchers explore Rudolph’s creative ideas firsthand. We’ve also posted images online for about 300 drawings and 20,000 slides.

Our most recent venture was preparing loans for a major exhibition now on view at The Metropolitan Museum of Art in New York City through March 16, 2025.  Mari Nakahara, our curator for architecture, design, and engineering, attended the opening on September 30th and shared her reaction: “Wow! Seeing the beauty of Rudolph’s visionary designs presented in a museum has further increased my appreciation for his work. At the same time, the recent hurricanes in Florida have me preparing to serve even more drawings to help people who love the houses Rudolph created in Sarasota.”

Photograph of large sign hanging off of large institutional style building. Two women stand at bottom left.
Mari Nakahara and former P&P colleague Aliza Leventhal visit the exhibition on opening day, September 30, 2024. Photo by Mary Nastasi; used with permission.

A phenomenal amount of work went into preparing more than 40 original drawings, fragile models, drawing tools, and vintage advertisements for the exhibition loan. The conservation treatment alone of the two large models took 496 hours. The conservators described their meticulous work in a detailed webinar and a blog post to share the techniques. You’ll also enjoy the story of the spider—a temporary resident in one model.

Conservation staff member Elizabeth Peirce holding a long tool with cotton ball attached to the end, and holding it towards the model.
Conservator Liz Peirce removing spider remains from model. Liz Peirce, Conservation Division, 2023. Image originally included in this blog post.

The Prints & Photographs Division is deeply grateful to the many Library colleagues in the Conservation Division and the Exhibits Office who made this major collaboration between two cultural heritage institutions possible.

Colored pencil drawing shows interior of large modern space featuring orange-brown and blue-gray hues.
Tuskegee Chapel, Tuskegee Institute, Tuskegee, Alabama. Colored pencil drawing by Paul Rudolph, about 1960.
http://hdl.loc.gov/loc.pnp/ppmsca.88756

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