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Category: Drawings

Smiling woman dressed in outdoor winter clothes holds a large, old-style camera

Sherman Spares Savannah

Posted by: Jeff Bridgers

I beg to present you a Christmas Gift, the City of Savannah . . .                       — General Sherman to President Lincoln, telegram, December 22, 1864 One hundred fifty years ago in December 1864, General William T. Sherman and his troops completed their “March to …

Cornucopias: Heralding Nature’s Bounty in Many Forms

Posted by: Barbara Orbach Natanson

From my earliest days of coloring school worksheets, cornucopias are the symbol I associate with the harvest season and the Thanksgiving holiday many Americans will be celebrating this week. Also known as the “horn of plenty,” the typical representation features vegetables and fruits spilling forth in abundance. In searching the Prints & Photographs Online Catalog, …

Smiling woman dressed in outdoor winter clothes holds a large, old-style camera

Celebrating the Graphic Tradition at the National Book Festival

Posted by: Barbara Orbach Natanson

The following is a guest post by Sara W. Duke, Curator of Popular & Applied Graphic Arts, Prints & Photographs Division. The Library of Congress has long collected cartoon art and illustration, including editorial cartoon and comic strip drawings. In the last fifteen years, we’ve expanded the scope to include original drawings for alternative comics, …

Smiling woman dressed in outdoor winter clothes holds a large, old-style camera

St. Patrick’s Day in the Army

Posted by: Kristi Finefield

My celebration of St. Patrick’s Day, despite my Irish roots, was simply to wear a bit of green. During the American Civil War, the Union soldiers from the Irish Brigade of the Army of the Potomac had much bigger plans. Sketch artist Edwin Forbes was there to capture the action on March 17, 1863 as …

Smiling woman dressed in outdoor winter clothes holds a large, old-style camera

Du Bois’s American Negro Exhibit for the 1900 Paris Exposition

Posted by: Jeff Bridgers

In this exhibit there are, of course, the usual paraphenalia for catching the eye — photographs, models, industrial work, and pictures. But it does not stop here; beneath all this is a carefully thought-out plan, according to which the exhibitors have tried to show: (a) The history of the American Negro. (b) His present condition. …