Senior Rare Book Conservator John Bertonaschi will write about the efforts made to repair some of the wear and tear suffered by the Decretum Gratiani manuscript over the past 700 years.
Join us, at The Library of Congress or virtually, as we discuss “Assessing the Physical Condition of the National Collection (ANC)”. This Andrew W. Mellon funded project has collected data from over 2500 volumes to compare the physical, chemical and optical characteristics of 500 “identical” books from five large research libraries in distinct regions of …
Read along to find out about the atlas binding workshop held in the Preservation Directorate, where participants learned how to conserve, fold, and bind various types of atlases and book foldouts.
Curators, conservators, and preservation scientists collaborate to conduct pre-exhibit testing on 18th Century thangka, Buddha Shakyamuni which will be displayed in Collecting Memories: Treasures from the Library of Congress, in late 2023.
This is a guest post by Brandi Marulli, 2022 Librarian in Residence, Preservation Directorate. Support of the next generation of librarians and leaders is an integral part of the mission of The Library of Congress, with a multitude of people of all ages and backgrounds serving in 80 different programs. The Internship and Fellowship Programs …
Read a personal interview with an objects conservator at the Library of Congress, Liz Peirce. Liz talks about her experiences working in conservation at the Library, her educational and professional background, her projects at the Library, and advice for aspiring conservators.
Preservation administration is much like other types of management and administration, except that our bottom line isn’t financial profit. Instead, the goal comes in two parts: maximize the usability of collections in the present tense, and do that in ways that improve their odds of usability in the future. Read on to see how see how the Preservation Directorate is changing approaches to functional organization and budget planning to achieve these goals at the Library of Congress.
The de-installation of gallery objects is often a process not typically seen by the public. This post offers insight into what is involved in order to successfully carry out such a large undertaking.