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Category: Preservation

Close-up view of two hands carefully at work on an aged, yellowing manuscript with handwriting

Meet the new Collections Management Division Chief: Cathy Martyniak

Posted by: Beatriz Haspo

On November 8th, 2021 the Preservation Directorate welcomed a new Chief of the Collections Management Division (CMD). Cathleen (“Cathy”) L. Martyniak joined us from the other side of the country, moving to the greater Washington DC area from California. According to the Director for Preservation, Jake Nadal, “she will manage a Division that provides essential …

Close-up view of two hands carefully at work on an aged, yellowing manuscript with handwriting

What Have We to Do with Any Thing but Love?

Posted by: Tana Villafana

This is a guest post written by Meghan Wilson, a Preservation Science Specialist in the Preservation Researching and Testing Division. Meghan runs PRTD’s multispectral imaging system, often unveiling the invisible within the Library’s collection. Amidst the Revolution, Alexander Hamilton sought solace in his love for Elizabeth Schuyler. Their correspondence is filled with moments of fondness, …

Close-up view of two hands carefully at work on an aged, yellowing manuscript with handwriting

Performing Quality Review of Digital Images

Posted by: Aaron D. Chaletzky

This is a guest post written by Katie Daughtry, Digital Library Technician in the Preservation Services Division. The Reformatting Projects Section (RPS) in the Preservation Services Division reformats collection materials in order to preserve the information found in at-risk materials and to allow access by researchers. General Collections books that are crumbling and contain highly …

Close-up view of two hands carefully at work on an aged, yellowing manuscript with handwriting

A look at John Feely, Nineteenth Century Book Stamp Engraver

Posted by: Samantha Schireson

This post examines the work of nineteenth century book stamp engraver, John Feely. During the latter half of the 19th century, book publishers in Britain and the United States began to hire artists to design book covers. Advances in technology allowed for more affordable manufacturing of books and book cloth, so decorative bindings became more prevalent in the commercial market. Many examples of Feely's highly stylized engraved book covers can be found in the General Collection at the Library of Congress.

Close-up view of two hands carefully at work on an aged, yellowing manuscript with handwriting

Reflections on War

Posted by: Tana Villafana

This is a guest post by Cindy Connelly Ryan, a Preservation Science Specialist in the Preservation Research and Testing Division (PRTD). Her research areas include the light sensitivity of inks, dyes and organic colorants, deterioration and stabilization of verdigris and iron gall ink, technical study of collection items, and re-creating obsolete historic recipes for artists’ …