Top of page

Category: Preservation

Girl with dark hair and dark eyes smiles broadly, wearing a white t-shirt and black sweater with a small golden necklace.

Tracking Colors: Building a Pigment Reference Database

Posted by: Bobbi Hinton

My summer at the Library was spent capturing data from colored pigments in order to build a reference database. Using a high-tech portable FTIR instrument, I prepared samples and collected infrared readings from 50 pigments in the Library’s collection using three of the portable instrument’s attachments. I compiled 150 measurements in order to create the database’s foundation.

Katie Mullen and Katie Senn take a selfie in the Main Reading Room, Library of Congress

Collecting the world’s languages: A Junior Fellow’s Report from the Preservation Services Division

Posted by: K.F. Shovlin

How exactly does the coolest stuff in the world make its way from hundreds of countries all over the world into the hands of patrons of the largest library in the world? 2023 Junior Fellow Kathleen Senn describes her experience working in the Preservation Services Division on Inventory Review Protocols for International Collection Materials.

A rolling cart with three shelves full of books.

Register Now: Assessing the Physical Condition of the National Collection

Posted by: Bobbi Hinton

Join us, at The Library of Congress or virtually, as we discuss “Assessing the Physical Condition of the National Collection (ANC)”. This Andrew W. Mellon funded project has collected data from over 2500 volumes to compare the physical, chemical and optical characteristics of 500 “identical” books from five large research libraries in distinct regions of …

Compilation of four images showing scientists using multispectral imaging, Raman, x-ray fluorescence, and fiber-optic reflectance spectroscopy instruments with four pith paintings.

International Outreach: Examining Pith Paintings from Lima to Canton

Posted by: Bobbi Hinton

Preservation Research and Testing Division hosted colleagues from Nottingham Trent University’s ISAAC Research Lab (Imaging & Sensing for Archaeology, Art History, and Conservation) as they explored the Library of Congress’ collection of pith paintings. Their international research project “From Lima to Canton and Beyond: an AI-aided Heritage Materials Research Platform for Studying Globalisation through Art” exemplifies collaboration on a multitude of different levels: between the cultures who produced the art, between institutions researching them in present day, between collections in multiple divisions within the Library, and even between different instruments for analysis.