The following post was written by Rob Casper and Anne Holmes and originally appeared in From the Catbird Seat: Poetry & Literature at the Library of Congress.
It’s a celebratory time for Joy Harjo: the Librarian of Congress has just appointed our poet laureate to serve a third term in the position. Joy is only the second poet in the history of the laureateship to do so, and with this third term (to begin in September 2021) she will hopefully be able to return to traveling across the country to read her work and champion poetry.
Today also marks the launch of Joy’s signature project, “Living Nations, Living Words,” which features 47 contemporary Native poets through a new Story Map and online audio collection.
“Throughout the pandemic, Joy Harjo has shown how poetry can help steady us and nurture us. I am thankful she is willing to continue this work on behalf of the country,” said Librarian of Congress Carla Hayden. “A third term will give Joy the opportunity to develop and extend her signature project.”
When Joy first accepted the position in April 2019, she talked about wanting to create an online map of living Native poets. We were excited about the possibility, and started exploring options. Then, in the summer months leading up to the start of her laureateship, Joy had the opportunity to visit the Library and meet staff from across the institution. Fortuitously, she soon met with staff in the Geography and Map Division, who introduced her to the perfect platform: ArcGIS StoryMaps, an online app geared toward storytelling that the Library uses as an immersive learning tool.
As Joy explored the platform and talked about the possibilities for her project, it became clear that she not only wanted to feature a number of Native poets, but wanted to hear from them, too, reading and discussing their work. She felt strongly that these poets should choose their own poems, while keeping in mind the theme of place and displacement, and the following touchpoints: visibility, persistence, resistance and acknowledgment.
Joy had also spent time the previous summer exploring collections in the Library’s American Folklife Center. When we started discussi