Carolyn is here to share primary-source repertoire gems with the music education community, modeling how interacting with this repertoire can create well-rounded, standards-based musical experiences.
Teacher in Residence Carolyn Bennett's recent blog post explored the sounds and functions of bugle calls as a form of communication for troops from a musical perspective. This post describes ways in which coding allows students to explore different aspects of these calls.
To begin the second half of the school year, Teaching with the Library of Congress highlights recent Library of Congress initiatives and selected blog posts that might spur some classroom activities or lesson plan ideas.
As I began to reflect on my year as Teacher-in-Residence, I found myself thinking about a great number of people who have taught me valuable lessons this year.
This year, the Library of Congress celebrates the artistry of Emilio and Gloria Estefan, recipients of the 2019 Gershwin Prize for Popular Song. In their honor we explore a Cuban-American recording from the Library of Congress that leads us to an exciting game, a groundbreaking educational institution, and a deeper appreciation for America’s diverse cultural communities.
Cuban-American music has a strong heritage that inspired the Estefans' work. Exploring Cuban-American music through primary sources at the Library of Congress can lead students to exciting music and thoughtful inquiry about cultural identity.
By understanding a work’s original context, intent, message, and audience, creators can use cultural referents to frame new ideas. Public-domain classics achieve a continually evolving immortality as they are re-imagined by new generations of creative minds. Public domain works, through creative adaptation, can be used to create a commentary on the original work, engage contemporary issues, create opportunities for cross-cultural dialogue, and promote cultural change.