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Category: Fine and Performing Arts

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Asking Students to Re-Imagine a Living Newspaper Play with Playbills from the Federal Theatre Project

Posted by: Cheryl Lederle

In the May 2019 issue of Social Education, the journal of the National Council for the Social Studies, our “Sources and Strategies” article discusses the Federal Theatre Project. The article focuses on one play, One Third of a Nation, a Living Newspaper production. Living Newspaper productions addressed social issues of the day, typically presenting factual information in mostly fictionalized ways to audiences.

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Primary Sources for Musical Learning: Exploring the Cuban-American Musical Heritage of Emilio and Gloria Estefan Part 2 — Cultural Memory and Musical Legacies

Posted by: Danna Bell

This year, the Library of Congress celebrates the artistry of Emilio and Gloria Estefan, recipients of the 2019 Gershwin Prize for Popular Song. In their honor we explore a Cuban-American recording from the Library of Congress that leads us to an exciting game, a groundbreaking educational institution, and a deeper appreciation for America’s diverse cultural communities.

One woman watches as another examines with a magnifying glass an ornate, decorative image on a printed page

Primary Sources for Musical Learning: Exploring the Cuban-American Musical Heritage of Emilio and Gloria Estefan–Diversity and Identity in “The Great Melting Pot”

Posted by: Danna Bell

Cuban-American music has a strong heritage that inspired the Estefans' work. Exploring Cuban-American music through primary sources at the Library of Congress can lead students to exciting music and thoughtful inquiry about cultural identity.

One woman watches as another examines with a magnifying glass an ornate, decorative image on a printed page

Primary Sources for Musical Learning: Celebrating the Public Domain and Engaging Creatively with Primary Sources

Posted by: Danna Bell

By understanding a work’s original context, intent, message, and audience, creators can use cultural referents to frame new ideas. Public-domain classics achieve a continually evolving immortality as they are re-imagined by new generations of creative minds. Public domain works, through creative adaptation, can be used to create a commentary on the original work, engage contemporary issues, create opportunities for cross-cultural dialogue, and promote cultural change.

One woman watches as another examines with a magnifying glass an ornate, decorative image on a printed page

Primary Sources for Musical Learning: Supporting and Critiquing America during WWII: Primary Sources from the Fort Valley Music Festivals

Posted by: Danna Bell

The multidimensional nature of music allows artists to explore and communicate complex perspectives. Through exploring the Fort Valley recordings, students can discern how performers connect musical elements and cultural referents to create strong, nuanced messages.

One woman watches as another examines with a magnifying glass an ornate, decorative image on a printed page

Primary Sources for Musical Learning: Analyzing the Musical Perspectives of Marian Anderson and Harry T. Burleigh in Deep River

Posted by: Danna Bell

On Easter Sunday 1939, one of America’s greatest voices sang on the steps of the Lincoln Memorial. She donned a fur coat against the fifty-degree bluster to perform outdoors. Despite the direct intervention of the First Lady, performance venues across Washington, D.C., had refused to open their stage doors to the world renowned African American contralto, Marian Anderson.