Many historians consider the defeat of the Nazis at Stalingrad the turning point in World War II, yet this battle is given little attention in most U.S. classrooms. Typically, lessons focus on the major American experiences like Pearl Harbor, D-day, and the dropping of the atomic bombs on Japan.
Primary sources such as the letters and diaries of Civil War Nurse Mary Ann Bickerdyke offer rich insights into the lives of real people. The fragmented, personal nature of these sources requires careful reading in context and comparison across multiple accounts to glean information and construct understanding.
Two collections of eyewitness accounts from the Library of Congress offer insights into the daily lives and struggles of soldiers during World War II: the drawings by Yank magazine artist Sergeant Howard Brodie and interviews through the Library's Veterans History Project (VHP).
A number of years ago I published a blog post on wartime clothing drives. I touched briefly on clothing drives and the work to make handmade items for those serving in the military. As I considered what to write about for a post on Veterans Day, I was drawn back to this post.
In the October 2017 issue of Social Education, the journal of the National Council for the Social Studies, our & "Sources and Strategies" article features two manuscript documents from individuals with very different responses to the armistice that ended the major fighting of World War I.
I am the Director of the Veterans History Project, part of the American Folklife Center, at the Library of Congress. VHP's mission is to gather the oral histories of veterans and ensure they are accessible so current researchers and future generations understand what they saw, did and felt during their selfless service to our nation.
What would you include in a care package to a family member in the military? Would you include food? Treats? Extra clothing? Games? Would you consider sending books? During World War I, books became an important part of the support system for those fighting overseas.
You and your students may know the names of Margaret Bourke-White, Dorothea Lange, or Clare Boothe Luce. Fewer, however, will know the names of the photographers Helen Johns Kirtland or Toni Frissell, who documented wars, often from the front lines.