The following is a guest post by Carl Fleischhauer, a Digital Initiatives Project Manager in NDIIPP.
In mid-October, BMS/Chace of Nashville, Tennessee, released the “first generation version” of a software tool to support the collection of metadata for the multi-track, multi-session sound recordings being produced in the music industry today. The Metadata for Recorded Sound project was one of the NDIIPP Preserving Creating America partnerships, carried out from 2006 to 2010. As part of the project, BMS/Chace developed the Content Creator Data (CCD) tool, as well as the data