The following is a guest post by Emily Reynolds, a 2012 Junior Fellow.
One of the many highlights of the DigitalPreservation 2012 conference last month was the Preserving Digital Culture panel, which featured speakers discussing the preservation of born-digital art and other creative output. While much of the conference addressed the often automated management of big data, these speakers addressed materials that require much more individual attention. Similar to preserving physical artwork, digital art must be preserved meticulously to maintain the artist’s original vision.
