The following is a guest post from Julia Fernandez, this year’s NDIIPP Junior Fellow. Julia has a background in American studies and working with folklife institutions and is working on a range of projects leading up to CurateCamp Digital Culture in July. This is the first of a series of interviews Julia is conducting to …
Continuing the NDSA Insights interview series, I am thrilled to talk about the new Library of Congress Recommended Format Specifications with Ted Westervelt, head of acquisitions and cataloging for U.S. Serials – Arts, Humanities & Sciences at the Library of Congress. Ted has been overseeing the development of the Recommended Format Specifications. While the specifications …
What is the document as a format and a medium? Even apart from any divide between analog and digital, the document is itself a form that has its own history, one that has long been tied up in ideas about reproduction. In Paper Knowledge: Toward a Media History of Documents, Lisa Gitelman explores the history …
The design and structure of cultural heritage institutions and systems comes with a values and a politics. The values and politics of these infrastructures are often worked out and explored in the work of artists in a range of media. This is just as true of physical structures and spaces as it is of digital …
Alongside this year’s Digital Preservation 2014 meeting, I am excited to announce that we will also be playing host to a CURATEcamp unconference focused on exploring the collecting, preserving and providing access to records of digital culture. For those unfamiliar with unconferences, the key idea is that the participants define the agenda and that there …
Who would have thought when CompuServe introduced the Graphics Interchange Format in 1987 that the world was witnessing the birth of a new medium of expression? At Digital Preservation 2012 keynote speaker Anil Dash suggested that the humble animated GIF was likely “the most watched form of video?” Animated GIFs are increasingly being appreciated as …