Top of page

Archive: 2017 (43 Posts)

Dozens of squares, each with its own individual color or shade, lined up in rows and columns

The University of Richmond’s Digital Scholarship Lab

Posted by: Mike Ashenfelder

In November, 2016, staff from the Library of Congress’s National Digital Initiatives division visited the University of Richmond’s Digital Scholarship Lab as part of NDI’s efforts to explore data librarianship, computational research and digital scholarship at other libraries and cultural institutions. Like many university digital labs, the DSL is based in the library, which DSL …

Dozens of squares, each with its own individual color or shade, lined up in rows and columns

FADGI’s 10th Anniversary: Adapting to Meet the Community’s Needs

Posted by: Mike Ashenfelder

This is a guest post by Kate Murray, IT Specialist in the Library of Congress’s Digital Collections and Management Services. Started in 2007 as a collaborative effort by federal agencies, FADGI has many accomplishments under its belt, including the widely implemented Technical Guidelines for Digitizing Cultural Heritage Materials (newly updated in 2016); open source software, …

Dozens of squares, each with its own individual color or shade, lined up in rows and columns

Spotlighting Research Data: Building Relationships with Outreach for the NYU Data Catalog

Posted by: Mike Ashenfelder

This is a guest post by Nicole Contaxis, Data Catalog Coordinator at NYU Health Sciences Library. You can email her at [email protected]. An increasing number of publishers and grant-funding organizations are requiring researchers to share their data, so libraries and other institutions are creating tools and strategies to support researchers in this effort. To meet …

Dozens of squares, each with its own individual color or shade, lined up in rows and columns

Lots of Transfer Collectives Keep Cultural Memory Safe: The Importance of Community Audio/Visual Archiving

Posted by: Mike Ashenfelder

This is a guest post collectively written by the XFR Collective (pronounced “transfer collective”), a grass-roots digitization and digital-preservation organization. They work with artists and media creators to rescue and preserve digital works, utilizing open, free platforms — such as the Internet Archive — for long-term preservation and access. We featured them in two previous …

Dozens of squares, each with its own individual color or shade, lined up in rows and columns

Using Three-Dimensional Modeling to Preserve Cultural Heritage

Posted by: Mike Ashenfelder

This is a guest post by Elizabeth England, a resident in the National Digital Stewardship Residency program. In recent years, a few news stories focused on the use of digital tools in preserving cultural heritage three-dimensional objects, stories such as the printed reconstruction of the Arch of Triumph in Palmyra, Syria and the construction of a …

Dozens of squares, each with its own individual color or shade, lined up in rows and columns

The TriCollege Libraries Consortium and Digital Content

Posted by: Mike Ashenfelder

This is a guest post from Stefanie Ramsay, a Digital Collections Librarian at Swarthmore College, which is part of the TriCollege Libraries consortium. Consortium arrangements among libraries and archives are an increasingly popular strategy for managing the large amount of digital content they produce and for providing increased access to these important materials. Luckily for …