The following is a guest post by Jefferson Bailey, Fellow at the Library of Congress’s Office of Strategic Initiatives. A vexing property of digital objects is the difficulties they pose to ensuring their ongoing authenticity and stability. Files can become corrupted by use, bits can rot even when unused, and during transfer the parts essential …
The following is a guest post by Erica Titkemeyer, National Digital Stewardship Resident at the Smithsonian Institution Archives As the National Digital Stewardship Resident placed within the Smithsonian Institution Archives I have been tasked with identifying the specialized digital curation requirements for time‐based media art (TBMA). I typically use this definition to best describe TBMA (also referred to here as digital media art): artwork containing …
The April 2014 Library of Congress Digital Preservation Newsletter (pdf) is now available! In this issue: Where are the Born Digital Archives Test Data Sets? Fixity Data in Sound and Moving Image Files Managing a Library of Congress Worth of Data Personal Digital Archiving: The Basics of Scanning New NDSA Report: Geospatial Data Stewardship Online …
A few weeks ago, as part of the Aligning National Approaches to Digital Preservation conference, an announcement was made of the beta launch of a new resource to catalog and describe digital preservation tools: Community Owned digital Preservation Tool Registry. The idea behind this registry is to try and consolidate all of the digital preservation tool …
During the past almost-year of our existence, The Signal has covered a lot of territory, topic-wise. But in the midst of all the activity required to keep this very active blog going, it’s easy for us to get lost in the day-to-day. So, I think it’s a good idea once in awhile to pause and …
The following is a guest post by Jefferson Bailey, Fellow at the Library of Congress’s Office of Strategic Initiatives. In Carl Fleischhauer’s recent four-part blog series, he discussed the challenges of, and different approaches to, capturing both the informational and the artifactual aspects of physical books and photographic negatives when reproducing these records in digital …