(NOTE: This is a reprinted and updated article from our digitalpreservation.gov website.) The motion picture industry is rapidly changing from film to digital media and within the next decade most movies will be shot, edited, distributed and projected digitally. Yet even as the industry embraces new technology, they may not be doing enough to archive …
The following is a guest post from Abbie Grotke, Web Archiving Team Lead and National Digital Stewardship Alliance Content Working Group Co-Chair In November 2010, the Library of Congress convened a Citizen Journalism workshop that brought together researchers, bloggers, journalists, academics and archivists to address selection and preservation issues for hyper-local community news on the …
Skimpy. Sparse. Sporadic. I used these words a few years ago to generalize the state of tools, services and other technology for digital stewardship. Until recently, an institution that wanted to actively manage its digital content over the long term had one basic option: build an infrastructure from scratch. Much has changed over the last …
The Omeka project team is coming up with some good solutions for building an open source community. Omeka, an open source web publishing platform for cultural heritage collections, was developed by the Roy Rosenzweig Center for History and New Media at George Mason University. (An overview of Omeka is given in a previous blog post …
The following is a guest post from Trevor Owens, Digital Archivist with the Office of Strategic Initiatives. I’m excited to offer this fourth interview for Insights, an occasional feature sharing interviews and conversations between National Digital Stewardship Alliance Innovation Working Group members and individuals involved with projects related to preservation, access and stewardship of digital …
While clearing out some personal clutter recently, I came across an old CD-ROM, published in 1989, that I always assumed was of great cultural value. Of course, when I tried to play it I got nothing but error messages and I set about finding a way to make it work. The CD-ROM is the Electronic …
The following is a guest post by Carl Fleischhauer, a Digital Initiatives Project Manager in NDIIPP. In mid-October, BMS/Chace of Nashville, Tennessee, released the “first generation version” of a software tool to support the collection of metadata for the multi-track, multi-session sound recordings being produced in the music industry today. The Metadata for Recorded Sound …
This post is part of a continuing series of alphabetically titled digital preservation topics. A few months ago, I met a special collections librarian at a conference. I asked if her library was receiving digital materials in their acquisitions. She said, “Yes, but we are not doing anything with them at this time.” I suggested …
The following is a guest post by Megan Forbes, Manager of Collection Information and Access, Museum of the Moving Image. Several weeks ago, I had the pleasure of attending the Digital Library Federation’s 2011 Fall Forum, where I participated in a panel about data management, digital curation and digital preservation. I felt a bit like …
