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Category: Digital Content

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Curating Extragalactic Distances: An interview with Karl Nilsen & Robin Dasler

Posted by: Trevor Owens

While a fair amount of digital preservation focuses on objects that have clear corollaries to objects from our analog world (still and moving images and documents for example), there are a range of forms that are basically natively digital. Completely native digital forms, like database-driven web applications, introduce a variety of challenges for long-term preservation …

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Research is Magic: An Interview with Ethnographers Jason Nguyen & Kurt Baer

Posted by: Trevor Owens

The following is a guest post from Julia Fernandez, this year’s NDIIPP Junior Fellow. Julia has a background in American studies and working with folklife institutions and worked on a range of projects leading up to CurateCamp Digital Culture in July. This is part of a series of interviews Julia conducted to better understand the …

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Duke’s Legacy: Video Game Source Disc Preservation at the Library of Congress

Posted by: Trevor Owens

The following is a guest post from David Gibson, a moving image technician in the Library of Congress. He was previously interviewed about the Library of Congress video games collection.  The discovery of that which has been lost or previously unattainable is one of the driving forces behind the archival profession and one of the …

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Understanding the Participatory Culture of the Web: An Interview with Henry Jenkins

Posted by: Trevor Owens

The following is a guest post from Julia Fernandez, this year’s NDIIPP Junior Fellow. Julia has a background in American studies and working with folklife institutions and is working on a range of projects related to CurateCamp Digital Culture. This is part of an ongoing series of interviews Julia is conducting to better understand the …

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Tag and Release: Acquiring & Making Available Infinitely Reproducible Digital Objects

Posted by: Trevor Owens

What does it mean to acquire something, like a set of animated .gifs,  that are already widely available on the web? Archives and Museums are often focused on acquiring, preserving and making accessible rare or unique documents, records, objects and artifacts. While someone might take a photo of an object, or reproduce it in any …

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Preserving Folk Cultures of the Digital Age: An interview with Folklorist Trevor J. Blank, Pt. 2

Posted by: Trevor Owens

The following is a guest post from Julia Fernandez, this year’s NDIIPP Junior Fellow. Julia has a background in American studies and working with folklife institutions and is working on a range of projects leading up to CurateCamp Digital Culture in July. This is part of an ongoing series of interviews Julia is conducting to …

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Understanding Folk Culture in the Digital Age: An interview with Folklorist Trevor J. Blank, Pt. 1

Posted by: Trevor Owens

The following is a guest post from Julia Fernandez, this year’s NDIIPP Junior Fellow. Julia has a background in American studies and working with folklife institutions and is working on a range of projects leading up to CurateCamp Digital Culture in July. This is the first of a series of interviews Julia is conducting to …

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Exhibiting .gifs: An Interview with curator Jason Eppink

Posted by: Trevor Owens

Who would have thought when CompuServe introduced the Graphics Interchange Format in 1987 that the world was witnessing the birth of a new medium of expression? At Digital Preservation 2012 keynote speaker Anil Dash suggested that the humble animated GIF was likely “the most watched form of video?” Animated GIFs are increasingly being appreciated as …