Video games represent one of the most difficult challenges for digital preservationists. Created for a diverse array of hardware and software platforms, rife with rights issues, and as expressive creative works objects which one hopes to attend to the highest levels of artifactual qualities. Despite being one of the most challenging forms of content, there …
For this installment of Insights, the National Digital Stewardship Alliance Innovation Working Group’s ongoing series of interviews, I talk with Georgina Goodlander, the Web & Social Media Content Manager for the Smithsonian American Art Museum and Exhibition Coordinator for the Museum’s The Art of Video Games exhibition. There are already some nice interviews exploring the subject …
The following guest post from Kathleen O’Neill, Archives Specialist in The Library of Congress Manuscript Division continues our series of posts reflecting on CurateCamp Processing. Meg Phillips’s earlier post on More Product, Less Process for Born Digital Collections focused on developing minimum standards for ingest and processing with the goal of making the maximum number …
Dan Perkel is a Design Researcher at IDEO. Last year, he finished is doctoral work at Berkley’s iSchool. His dissertation, Making Art, Creating Infrastructure: deviantART and the Production of the Web, involved an extensive ethnographic study of deviantART, a massive online community site built around sharing digital art. As part of our on going Insights …
The five recipients of the inaugural NDSA innovation awards are exemplars of the creativity, diversity, and collaboration essential to supporting the digital preservation community as it works to preserve and make available digital materials. In an effort to learn more and share the work of the individuals, projects and institutions who won these awards I …
Over the last few months a team of librarians, archivists, curators, engineers and other technologists in the NDSA have been working to draft a simple chart to help prioritize digital preservation work. After iteratively developing this document and workshopping it at Digital Preservation 2012 we are excited to publicly share it for comment. Why Define Levels? NDSA …
The five recipients of the inaugural NDSA awards are exemplars of the creativity, diversity, and collaboration essential to supporting the digital community as it works to preserve and make available digital materials. In an effort to learn more and share the work of the individuals, projects and institutions who won these awards I am excited …
The following is a guest post from Andrea Goethals, digital preservation and repository services manager at the Harvard University library. This post is similar to a presentation I gave as part of a panel called “Assessing and Mitigating Bit-Level Preservation Risks” at DigitalPreservation 2012. It grew out of conversations and work within the NDSA Infrastructure …
The following is a guest post from Meg Phillips, Electronic Records Lifecycle Coordinator for the National Archives and Records Administration. “What’s the bare minimum I can responsibly do with my electronic stuff?” was one of the central questions on the table at CurateCamp Processing. The unconference, focused on Processing Data / Processing Collections, was a …
