The magnificent collection of Liszt manuscripts held at the Library of Congress includes a number of rarely heard works, including two of the three Funeral Odes (Trois odes funèbres). Liszt composed some fifteen versions of the Funeral Odes, even desiring one of them to be performed at his funeral service (Spoiler Alert: none of Liszt’s music was played). The Library’s versions are among the lesser-known: La Notte for violin and piano (one of Liszt’s very few chamber works) and the orchestral version of Le triomphe funèbre du Tasse, which is a veritable symphonic poem in scope and content, and in fact is listed as an “epilogue” to Liszt’s symphonic poem Tasso, lamento e trionfo.
These works are exceptionally personal in nature (composed after the deaths of two of his children) and form a vast intertextual web of relationships between people, places, music and other artworks that were close to Liszt on many levels. There will be a brief spoken introduction to the Funeral Odes and the context of their creation, followed by the Library premiere of the piano versions of these special works.
Ave Maria (für die große Klavierschule von Lebert und Stark)
Trois odes funèbres
Le triomphe funèbre du Tasse
David H. Plylar, speaker/pianist
Tuesday, March 11, 2014, 12:00 pm – Coolidge Auditorium, Jefferson Building
There are no tickets required for this event.
Please visit loc.gov/concerts for more information about Concerts from the Library of Congress.