This Women’s History Month, we celebrate the intersection between creativity, hope, and healing. In part two of our two-part blog series, we talk to some more of the women who work at the U.S. Copyright Office about what it means for them to be creative.
I have always been someone who likes to make things. I love to bake and cook, I like to knit, and I make my own ceramics. I am drawn to items that were made by hand, either by me or someone else, and I am convinced that I will never be finished finding art for …
Find dance in copyright! In 1952, Hanya Holm was the first person to register a copyright for choreography or dance. Explore the connection between dance and copyright in the exhibit, Find Yourself in Copyright.
Black history tells powerful stories of innovation, perseverance, triumph, and celebration but also stories of loss, tragedy, trauma, and pain. Historically, African Americans have turned to art for its inexplicable healing powers. There is healing in African American spirituals and in praise dance; in African drums; and in beatboxing, in storytelling, and in rhythm and blues. …
Do you hear the people sing, singing the songs inspired by the public domain? Broadways musicals have a long tradition of pulling inspiration from the plays, short stories, operas, and more in the public domain. Let's take a look at five musicals and what inspired them.
On January 1, 2022, thousands of works published in 1926 entered the public domain. Explore some of the notable additions from A. A. Milne, Langston Hughes, Willa Cather, and more.
![Beige background with typewritten text: HOLM, HANYA. Kiss me, Kate. Hanya Holm's choreography for Cole Porter's musical comedy. Written in the Laban dance notation by Ann Hutchinson. [Microfilm copy] c Hanya Holm; 25Feb52; DU30088](https://blogs.loc.gov/copyright/files/2022/03/Hanya-Holm-registration-card-for-Kiss-Me-Kate.jpg)
