In April and May 2023, the Copyright Office hosted four public, virtual listening sessions on the use of artificial intelligence to generates works in creative fields. The listening sessions focused on four different categories of works: literary works, including print journalism and software; visual arts; audiovisual works, including video games; and music and sound recordings. This blog post provides a brief recap of the four listening sessions.
The best edition physical deposit requirement for copyright registration has long been a key part of U.S. copyright law, but in recent years, the U.S. Copyright Office has worked to clarify and simplify some of the deposit requirements. This blog post outlines some of the recent changes and where to find more information.
This Native American Heritage Month, we are celebrating the "firsts" in a blog series called, "Celebrating the Firsts: Shining a Light on Trailblazing Artwork by Native Artists." This blog features the first painting by a Native American artist acquired by the National Gallery of Art. The painting is called I See Red: Target and is by Juane Quick-to-See Smith (Confederated Salish and Kootenai Nation).
DC’s public art scene is full of contributions from AAPI artists. In honor of Asian Pacific American Heritage Month, we’re celebrating some of the Asian Americans and Pacific Islanders who are painting the walls of DC—and exploring how the copyright system supports their creativity.
