Since 1988, Americans have observed Hispanic Heritage Month from September 15 to October 15. This blog explores the impactful careers and creative contributions of Hispanic and Latin American creators: Linda Ronstadt, José Andrés, Lin-Manuel Miranda, and Rita Moreno. Discover how their contributions are connected to the Copyright Office.
The U.S. Copyright Office has now released over 9 million digitized pages documenting copyright registrations for books, periodicals, and unpublished musical works found in the Copyright Historical Record Books Collection
In June and July 2023, the Copyright Office hosted two public virtual webinars on the use of artificial intelligence technologies to generate works in creative fields. This blog post provides a brief recap of and links to the webinars, which focused on copyright registration guidance for AI-generated works and perspectives on how AI impacts copyright systems across the globe.
In April and May 2023, the Copyright Office hosted four public, virtual listening sessions on the use of artificial intelligence to generates works in creative fields. The listening sessions focused on four different categories of works: literary works, including print journalism and software; visual arts; audiovisual works, including video games; and music and sound recordings. This blog post provides a brief recap of the four listening sessions.
June is Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ+) Pride Month, when we recognize the history and impact of LGBTQ individuals in the United States. This year, the Copyright Office celebrates Pride Month and extends our World Intellectual Property Day campaign by spotlighting Olivia Charmaine Morris (she/her), who is a queer media mogul and entrepreneur …
Earlier this year, on January 1, new group of creative works entered the public domain in the United States. Learn more about some of the works published in 1927 that anyone can now use without the copyright owner’s permission.
More than once, a cover of a hit song has become an even bigger hit than the original. According to American Songwriter, it happened with songs such as “Respect” (written and originally recorded by Otis Redding, remake by Aretha Franklin), “All Along the Watchtower” (written and originally recorded by Bob Dylan, remake by Jimi Hendrix), …
The best edition physical deposit requirement for copyright registration has long been a key part of U.S. copyright law, but in recent years, the U.S. Copyright Office has worked to clarify and simplify some of the deposit requirements. This blog post outlines some of the recent changes and where to find more information.
