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Archive: February 2026 (7 Posts)

A woman leans over to closely look at a stretch of film between two larege reels about three feet apart.

Lost 19th century film by Méliès discovered at the Library

Posted by: Neely Tucker

Library conservators recently made a startling discovery in a batch of decaying film reels -- a long-lost 1897 film by early cinema icon George Méliès. The French magician-turned-filmmaker's "Gugusse and the Automaton,” the first appearance of a robot on screen, has long been sought after by sci-fi fans and cinemaphiles. No one had seen it in more than a century when Library staff carefully unwound it. You can see it now in this post and on the Library's National Screening Room.

A sepia-toned snapshot of a well dressed, elderly black couple.

Black History Month: Tracing your ancestors to before the Civil War

Posted by: Neely Tucker

When one of the Library's research librarians specializing in genealogical research dug into her family's past, she discovered her great-great-grandmother's first name, a mystery that had stumped the family for decades. Such quandries often pop up for Black families tracing their ancestors back to the Civil War and beyond, when records relating to Black people were often chaotic or nonexistent.

Medium close-up of three young girls leaning over a display table and looking closely at papers spread out before them/

The Library and “The Sound of Music” hit the road

Posted by: Neely Tucker

-This is a guest post by Deb Fiscella, a public affairs specialist in the Office of Communications.  The Library and a national touring company are offering theatergoers a peek behind the curtain at the origins of one of Broadway’s most cherished musicals: “The Sound of Music.” In a first-of-its-kind collaboration, the Library and the national …

A crew member stands at the front of a helicopter as the sun sets behind the scene.

Picturing War: Soldiers’ photography finds a home in the Veterans History Project

Posted by: Neely Tucker

In honor of the Veterans History Project's 25th anniversary, we’re highlighting photographs and stories from six compelling collections that offer personal and visual perspectives on military service across more than a century of conflicts, from World War I through the war in Iraq.

Color photo of a man kneeling beside a large dog, while draping his left arm around the dog's shoulders. They are outside in the snow, and the man is wearing a flannel shirt and baseball cap.

The thing about that dog in “The Thing,” now in the National Film Registry

Posted by: Neely Tucker

John Carpenter's "The Thing," the classic 1982 sci-fi/horror film, was voted by fans into the 2025 National Film Registry. One of the film's surprise stars was Jed, the part wolf/part dog who plays a key role in the movie's plot. Richard Masur, who played Jed's handler in the movie, recalls the joy and fear of working with such a "big, beautiful" but wild animal. Jed went on to other roles in Hollywood, playing the title character in "White Fang" and "White Fang 2."

Color headshot of Liza Mundy, wearing a burgundy colored sleeveless top and a necklace. She is smiling, with her head turned to her left, looking off camera.

Researching “Code Girls” at the Library

Posted by: Neely Tucker

Liza Mundy, author of the bestselling "Code Girls: The Untold Story of the American Women Code Breakers of World War II," researched the bestselling 2017 book at the Library's Veterans History Project. She drew on the military service records of thousands of women who served in the war but whose work had been little recognized.

Still photo from "Clueless" shows Alicia Silverstone stylishly dressed on a streetcorner, smiling and holding shopping bags.

How Amy Heckerling’s Babysitter Helped Create “Clueless,” Now in the National Film Registry

Posted by: Neely Tucker

Amy Heckering's 1995 comedy, "Clueless," was one of the defining films of decade and was just inducted into the National Film Registry. But even as the director of another generational favorite from the 1980s, "Fast Times at Ridgemont High," Heckerling didn't see it coming while writing and working on the film. And that title? She got it from her babysitter.