New Acquisition: Leo Matiz, History and Fiction through Photography

The following is a guest post by Catalina Gomez, a reference librarian in the Hispanic Division, and Adam Silvia, an assistant curator of photography in the Prints and Photographs Division.

President Rómulo Betancourt of Venezuela and First Lady Carmen Valverde de Betancourt (left) greet President John F. Kennedy and First Lady Jacqueline Kennedy at the airport in Caracas, 1961. Photo by Leo Matiz. Published with permission.

This past year, photography enthusiasts celebrated the 100-year anniversary of the birth of Leo Matiz (1917–98), one of the best photographers in Latin America in the 20th century. We are thus pleased to announce the recent acquisition of 10 of his photographs, available for research in the Prints and Photographs Division.

Leonet Matiz Espinoza was born on April 1, 1917, in Aracataca, Colombia. In his 81 years, he worked as a photographer, caricaturist, newspaper publisher, painter and gallery owner, living not only in Colombia but also in Mexico, Venezuela and the United States. Employed by esteemed publications, including Life and Reader’s Digest, Matiz photographed everything from urban architecture to rural folklife. He also photographed important political and cultural leaders, including Frida Kahlo, Diego Rivera and Luis Buñuel. Led by an innate curiosity, an exquisite eye and diverse interests, he captured the highs and the lows of the 20th century in unique and fascinating ways.

“Zona bananera,” 1939. Photo by Leo Matiz. Published with permission.

In April 2017, the Library acquired four photographs by Matiz showing his native Colombia. The images picture the Magdalena region, including his hometown of Aracataca, which was also the birthplace of Nobel Prize-winning author Gabriel García Márquez. Aracataca inspired Macondo, the town in the García Márquez’s beloved novel “One Hundred Years of Solitude.

While viewing the photographs by Matiz, we were struck by how they call to mind Macondo, bringing García Márquez’s story to life. Among these were Matiz’s famous “La red/pavo real del mar,” which shows a fisherman casting his net; the “Zona bananera,” picturing a man beside his bananas; and “Palafitos,” which shows a girl crossing a bridge in a nearby town along the Caribbean coast. Each is magical and haunting.

“Vendedor de periódico” shows a newspaper and magazine stand on a sidewalk in Bogotá, 1962. Photo by Leo Matiz. Published with permission.

We acquired these three photographs along with “Vendedor de peridóco,” which pictures a newsstand in central Bogotá, Colombia’s capital city. Less well known than other images by Matiz, this last one was the most surprising. You can almost feel the city’s heartbeat and imagine the smells, the noise and the weather by looking at the image. Initially, we believed Matiz took the photograph in the late 1950s. But then we spotted a copy of Time magazine peeking out of the newsstand. So sharp is the photograph that we could identify the Russian poet Yevgeny Yevtushenko on the cover of the magazine, which suggests the photo was taken some time in 1962.

In awe, the Library acquired an additional six photographs by Matiz in August. This new acquisition pictures Venezuela, where Matiz arrived in 1949. Recruited by Dr. Plinio Mendoza Neira to work as a journalist alongside Gabriel García Márquez in Caracas, Matiz photographed the insurrection that ousted Venezuelan strongman Marcos Pérez Jiménez on January 23, 1958. Upset by President Dwight Eisenhower’s decision to give Jiménez asylum in the United States, many Venezuelans protested Vice President Richard Nixon’s visit later that year. Camera in hand, Matiz photographed youths holding a banner that read, “Nixon go home.”

Venezuelans protest the visit of U.S. vice president Richard Nixon in Caracas, 1958. Photo by Leo Matiz. Published with permission.

Matiz also documented Venezuela’s transition to democracy under President Rómulo Betancourt and photographed the dizzying growth of Caracas—partly thanks to rising oil revenue and Venezuela’s participation in the new Organization of Petroleum Exporting Countries. His photos were commonly published in promotional books.

While serving Betancourt, Matiz photographed President John F. Kennedy’s trip to Venezuela on December 16, 1961. Following the visit in January 1959 of communist Fidel Castro, Kennedy wished to cement Venezuela’s place in the Alliance for Progress, his initiative to promote democracy and market economies in the western hemisphere.

First Lady Jacqueline Kennedy visiting the Universidad Central de Venezuela in Caracas, 1961. Photo by Leo Matiz. Published with permission.

Camera at the ready, Matiz shot Betancourt and Kennedy shaking hands at La Carlota airport. He then photographed American first lady Jacqueline Kennedy surrounded by Venezuela’s women dignitaries. Perhaps amused by the stark contrast in how President Kennedy was received compared with Vice President Nixon, Matiz photographed a sign at the airport that declared, “We love you Kennedy!”

In 1949, Leo Matiz was named one of the 10 best photographers in the world. He passed away on October 24, 1998, in Bogotá.

Rare Book of the Month: Valentines of Days Gone By

This is a guest post by digital library specialist Elizabeth Gettins. Thomas W. Strong was a New York City publisher of popular lithographs and the self-proclaimed “oldest manufacturer of valentines in America.” It seems only fitting that he manufactured countless valentines as St. Valentinus, for whom the holiday is named, since “valens” means “strong” in […]

African-American History Month: Curating Black History

In this post, historians from the Library and the Smithsonian’s National Museum of African American History and Culture highlight how collection items shed light on the black experience. The post is reprinted from the January–February issue of LCM, the Library of Congress Magazine. The entire issue is available online. Adrienne Cannon is the Afro-American history […]

Free to Use and Reuse: Making Public Domain and Rights-Clear Content Easier to Find

One of our biggest challenges is letting you know about all of the content available at Another challenge we have is letting you know what you can do with it (in a nice way). We are working on several fronts to improve the visibility of public domain and rights-clear content. We moved one step […]

African-American History Month: Happy Birthday, Frederick Douglass!

This year marks the 200th anniversary of the birth of Frederick Douglass, and this month is African-American History Month. To celebrate, we are highlighting favorite items from the Library’s collections. This post is reprinted from “Building Black History,” the January–February issue of LCM, the Library of Congress Magazine, available in its entirety online.   This […]

Inquiring Minds: Digital Artist Gives New Life to Historical Scenes and People

Marina Amaral was studying international relations at the Pontifical Catholic University of Minas Gerais, Brazil, when she first tried her hand at digitally colorizing a historical photograph. She had no formal background in art or photography, but since childhood she had enjoyed working with Photoshop in her free time. One day, while not feeling terribly […]

New Online: Senate Watergate Hearings

This is a guest post by Amanda Reichenbach, a 2017 summer intern with the Junior Fellows Program in the Library’s Motion Picture, Broadcasting and Recorded Sound Division. She is a history major at Yale University. During her internship, she worked with newly digitized material from the 1973 Senate Watergate hearings and the 1974 House impeachment hearings, […]

Inquiring Minds: Director Casts Girls as “Newsies,” Citing Library’s Historical Photos

Benny Seda-Galarza, a public affairs specialist in the Communications Office, is co-author of this post. For two long weeks in summer 1899, readers of the New York World and the New York Journal had to do without their daily papers. The reason: thousands of ragtag child newspaper sellers went on strike against the two largest […]