When the Library of Congress began in 1800, it had 152 works in 740 volumes. Also, there were three maps. Today, as its 225th birthday arrives, the Library has amassed more than 181 million items from around the world, forming what is widely considered to be the greatest collection of knowledge ever assembled. How did it happen? This story walks readers through the Library's fascinating history.
D’Andrea Hamn started working at the library 49 years ago and currently works in the acquisitions program specialist in the U.S. Copyright Office. In this My Job interview, she talks about her work over nearly five decades.
In the winter of 1906, Mark Twain was a tired and grieving man. He was 71. The past dozen years had been brutal. He had gone bankrupt in the mid-1890s. Then his 24-year-old daughter died from spinal meningitis. Then his beloved wife, Olivia, suffered through years of heart trouble before dying at age 58 in …
Michael Stratmoen is a program specialist for the John W. Kluge Center. In this question-and-answer, he talks about growing up in D.C. and working with the Kluge Center's scholars and their projects.
Most folks know the ridiculously catchy instrumental theme song for the 1960s classic TV comedy “I Dream of Jeannie.” But how many can recite its lyrics — “Jeannie, fresh as a daisy!/Just love how she obeys me” — or even knew it had any? The theme for “Bewitched,” another ’60s favorite, briefly had its day: …
The Library’s newest crowdsourcing campaign, American Creativity: Early Copyright Title Pages, is now online and ready for your amusement, education and transcription. It features the great (and not so great) ideas of yesteryear in copyright applications from 1790 to 1870, which recorded the young nation’s attempts to capitalize on the present and transform the future.
During Pride Month, the U.S. Copyright Office offers guidance and encouragement to drag performers to register their creative work for copyright protection.
It started, the story goes, with a back-to-school jam in the Bronx in 1973. There, in a basement rec room, DJ Kool Herc — aka Clive Campbell — stood between two turntables, switching between records to extend the instrumental breaks so his sister’s friends could dance longer. His parties became so popular he had to …
George Thuronyi, the deputy director of Public Information and Education for the Copyright Office, chooses favorite historical items submitted for copyright registration.
