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Category: Performing Arts

Still photo from "Clueless" shows Alicia Silverstone stylishly dressed on a streetcorner, smiling and holding shopping bags.

How Amy Heckerling’s Babysitter Helped Create “Clueless,” Now in the National Film Registry

Posted by: Neely Tucker

Amy Heckering's 1995 comedy, "Clueless," was one of the defining films of decade and was just inducted into the National Film Registry. But even as the director of another generational favorite from the 1980s, "Fast Times at Ridgemont High," Heckerling didn't see it coming while writing and working on the film. And that title? She got it from her babysitter.

Color half-length photo of a fancily dressed concierge and lobby boy in a luxurious hotel of the 1930s.

“The Grand Budapest Hotel,” Researched at the Library

Posted by: Neely Tucker

Wes Anderson's touching 2014 film, "The Grand Budapest Hotel," joins the National Film Registry this year. Anderson and his team used the Library's vast collection of hand-tinted European photographs from before World War I to help create the titular hotel's distinctive look.

A colorful collage of main characters from many of films inducted into the 2025 National Film Registry

The 2025 National Film Registry: “The Thing,” “Inception,” “Clueless” and More!

Posted by: Neely Tucker

The 2025 National Film Registry is out today, showcasing a group of 25 films spanning 118 years and including fan favorites such as “The Thing,” “Clueless,” “The Big Chill” and “The Incredibles.” The Library’s annual addition to the list of films to be preserved for their cinematic and cultural heritage starts with the 1896 silent film, “The Tramp and the Dog,” and stretches to the 2014 Wes Anderson picture, “The Grand Budapest Hotel.”

A stark portrait of a smiling man dressed in black standing next to a black grand piano against an entirely white backdrop.

From “Happy Days” to “The Love Boat,” Charles Fox’s Themes Were Always Exciting and New

Posted by: Mark Hartsell

Charles Fox was always exciting and new -- the composer was a hit-making wonder in the 1970s and 1980s, writing themes for television shows such as “The Love Boat,” “Happy Days,” “Laverne and Shirley,” “Wonder Woman" and “Monday Night Football.” He also composed classic hits such as "Killing Me Softly with His Song" and "I Got a Name." A trove of his papers are now at the Library.

The opening pages of the first printing of Handel's "Messiah" score. An elaborate full-page portrait of Handel, complete with a flowing white wig, is on the left. The title page is on the right.

Hallelujah for Handel’s “Messiah”

Posted by: Mark Hartsell

Few things say "Christmas" quite like George Frideric Handel’s 18th-century oratorio “Messiah” — the thrilling power of its “Hallelujah” chorus has given audiences goosebumps for 283 years and counting. The Library holds some dazzling early printings, including a complete orchestral score bound in sumptuous red leather, brilliantly gilded.

Bright red advertising poster with "West Side Story" in yellow type beneath an image of a couple dancing energetically.

Broadway Comes to the Library, and the Library Goes to Broadway

Posted by: Neely Tucker

The papers of Jonathan Larson and Leonard Bernstein are among many of the Library's musical holdings that have been used extensively by composers, actors and musicians in producing works on Broadway and in Hollywood. Lin-Manuel Miranda drew on Larson's papers for his production of "tick...tick...BOOM!" and the creative team behind the Bernstein documentary "Bernstein's Wall" and the feature film "Maestro" used Library collections for their works.