In this post, we hear one last farewell shanty from the retired sailor Patrick Tayluer, who sang and told stories for the Archive of Folk Culture in 1942. The song tells the romantic tale of a sailor weighing anchor to leave for the port city of Rio Grande, Brazil. He says goodbye to his sweetheart and asks her to marry him when he returns. This is the final post in a series about the sea shanty singer Patrick Tayluer, and contains links to the entire series where you can find more songs and stories of the sea.
Guest author Sue Rubenstein DeMasi is an academic librarian, professor emeritus at Suffolk County Community College in New York and dramatic writer and journalist. Professor DeMasi is the author of several publications on Henry Alsberg, Director of the New Deal era’s Federal Writers’ Project from 1935-39. Her essay for Folklife Today on Henry Alsberg’s early career expands on her talk at the 2023 American Folklife Center symposium marking the publication of the anthology, Rewriting America: New Essays on the Federal Writers’ Project (2022). The anthology and symposium offered a range of scholarly perspectives and retrospective analysis of the FWP on its 80th anniversary (see this blog post about the symposium); symposium webcasts are accessible here: https://guides.loc.gov/2023-federal-writers-project-symposium. Professor DeMasi's post touches on Alsberg's pre-FWP activities as a writer, book editor and theatrical producer, all of which were concerned with advancing the struggle for social justice and human rights.
Though primarily an audio-visual archive, the American Folklife Center is also home to several examples of traditional and folk crafts, such as a handmade notebook of sewing examples, made by Elsie Reinhart sometime between 1890-1920 and donated to the Library in 1977.
In this post, Nicole Saylor, Director of the American Folklife Center (AFC), highlights the 2024 accomplishments of the AFC. The post demonstrates how 2024 was a busy and productive year for the American Folklife Center, as it continued to meet its mission to document and share the many expressions of human experience to inspire, revitalize, and perpetuate living cultural traditions.
In 2024, Los Pleneros de la 21--a NYC-based organization whose members specialize in teaching and performing the Puerto Rican musical genres of bomba and plena--were awarded with a Community Collections Grant (CCG) by the American Folklife Center, to document musicians, teachers, and community members involved in bomba and plena music in New York, New Jersey, and Connecticut. This post is an excerpt of an interview with LeAna López, the primary interviewer for the project, about the group's CCG work. The full interview is accessible on the Library of Congress' Of the People blog.
As we stand at the threshold of a new year, it’s a fitting time to reflect on the remarkable stories of those who came before us, especially the courageous women of the 6888th Central Postal Directory Battalion, highlighted in Tyler Perry’s recent Netflix film, The Six Triple Eight. Just like the beginning of a new …
