We're continuing the Homegrown Plus series with an entertaining and educational concert and interview by Reverend Robert B. Jones, Sr., an inspirational musician and storyteller celebrating the history, humor, and power of American roots music. His deep love for traditional African American and American music is shared in live performances that interweave timeless stories with original and traditional songs. For more than thirty years Robert has entertained and educated audiences of all ages in schools, colleges, libraries, union halls, prisons, churches and civil rights organizations. He brought that inspiration here to the Library of Congress on February 15, 2024, as part of the Homegrown series as well as the series "Live! At the Library," and as part of our celebrations of Black History Month. As an ordained minister and a Baptist pastor, Rev. Jones has an unwavering faith the cultural importance of sacred and traditional American roots music. At the heart of his message is the belief that our cultural diversity is a story that we should celebrate, not just tolerate. This concert included blues, spirituals, gospel, rock, and even a touch of hip hop, delivered with voice, acoustic guitar and harmonica. Watch for the special sequence in which Rev. Jones is joined by his wife Sister Bernice Jones, his daughter Arnecia Jones, his son Robert Jones II (aka R.J.), and his daughter-in-law, R.J.'s wife, Sister Rosa Warner Jones. As usual for this series, you’ll find a concert video, an interview video, and a set of links to explore.
Back in February, we were delighted to host the first Homegrown concert of 2023 here at the Library of Congress. The concert was a solo performance by the banjo player, fiddler, and singer Jake Blount, an award-winning musician and a scholar of African American musical traditions. We presented Jake as part of Live! at the Library, the series featuring extended visiting hours and special programming every Thursday night. It was also part of the Black History Month celebrations at the Library of Congress and was presented in cooperation with the Folklore Society of Greater Washington. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured performer (in this case Jake Blount), plus links and connections to Library of Congress collections.
In May, I wrote about a project that was keeping me busy, and providing a nice escape from the mental confines of my well-worn, Baltimore couch. While I cannot believe it is already August, I am happy to announce that the project is all set and ready to share! Chicago Blues and Jazz: Selections from …
This post is part of a series called Staff Finds During Difficult Times, in which staff members discuss collections and items that have been inspiring them while they are working at home during the Covid-19 pandemic or in other difficult circumstances. Find the whole series here! While working from home these weeks, I have been grateful …
This is a guest post by Marcia Segal, a Processing Archivist at the American Folklife Center. Legendary blues singer Mississippi John Hurt’s song “Avalon Blues” appears on numerous recordings in the Tom Hoskins collection: “…Avalon, my hometown, always on my mind…” Hurt first recorded the song in 1928. In 1963, musician and blues music fan …
Note: This is the third in a series of posts about the murder ballad “Batson.” This one discusses the version of the ballad performed by Wilson Jones, aka “Stavin’ Chain,” in light of the real-life Batson case. In previous blog posts about the murder ballad “Batson,” I looked at early versions collected by Robert Winslow …
Note: This is the second in a series of posts about the murder ballad “Batson.” This one discusses the performance recorded by John A. and Alan Lomax from a trio of musicians including Wilson Jones, a.k.a. Stavin’ Chain, in 1934. A little while back, I presented for the first time anywhere a version of the …
One hundred years ago this month, February 26, 1917, what is generally acknowledged as the first recording of jazz was released. “Livery Stable Blues,” performed by the Original Dixieland Jass Band [1] was a best-selling record for Victor, but is a problematic “first” as it is a recording of a white band performing an African …
