AFC Events Specialist Thea Austen and Folklife Specialist Meg Nicholas chat with Queen Nur and AJ Rivers about the CCG project, "On the Line: Urban Line Dancing," and their wildly popular public event held at the Library earlier this year. The post includes photographs from the projects, and a link to the full interview, in the fourth episode of a special subseries of the Folklife Today podcast.
The exciting old time duo The Creek Rocks, the recipients of the 2024 Artists in Resonance Fellowship from the American Folklife Center at the Library of Congress, bring old songs back to the Library in shiny new arrangements! Accomplished singer and banjo player Cindy Woolf and veteran guitarist and singer Mark Bilyeu established the group in 2015. Much of their work has been interpreting the traditional music of the Ozarks region. The Artists in Resonance Fellowship provided Cindy and Mark the opportunity to immerse themselves in the field recordings of folklorist Sidney Robertson Cowell, who in December 1936 and January 1937 visited communities in the Missouri and Arkansas Ozarks. The Cowell recordings in the American Folklife Center’s archive serve as the source material for this concert, as well as The Creek Rocks' current album-length recording project. This blog presents the concert along with an interview in which we talk with them about their fellowship, their music, and their use of archival sources.
Here at "Folklife Today," we've been following the history of Jack tales, from their emergence in the late Middle Ages to their adoption into modern literature and media. In our last installment, we traced Jack in both fantasy literature and more realistic fiction. In this post, we'll look at Jack tales in other arts, from drama and film to sculpture and comics. We embed the Library of Congress restoration of the 1902 film “Jack and the Beanstalk” from the Thomas Edison corporation, as well as links to orally told folktales, film adaptations, and other media.
Welcome to the latest post in the Homegrown Plus series, featuring bluegrass quartet The Henhouse Prowlers. After two decades of touring and performing, the Henhouse Prowlers proudly look to the future, expressing their passion for music and humanity. Banjoist Ben Wright and upright bassist Jon Goldfine have been the heart of the band since its inception, while guitarist Chris Dollar and mandolinist Jake Howard (who joined 7 and 5 years ago respectively) bring fresh energy to the band's sound. The Prowlers approach music with a reverence for tradition coupled with willingness to explore beyond the ordinary. In their concert, they apply their trademark four-part harmonies to classic country and bluegrass, as well as modern Americana. In the interview we talk about their music, their history, and their activities with the U.S. State Department and their own nonprofit, Bluegrass Ambassadors, through which they have been able to take American music around the globe.
The American Folklife Center is excited to announce the launch of its new, easy-to-use Botkin Lecture Resource Guide, which gives users direct access to hundreds of hours of world-class lectures on folklore, folk music and traditional culture. Over the years, hundreds of prominent folklorists, ethnomusicologists, traditional artists, and scholars have accepted AFC’s invitation to present lectures in the Center’s Benjamin Botkin Folklife Lecture series. To date, more than 130 of their presentations have been shot on video for the AFC collections. Although most are available on the Library’s website and YouTube channel, they can be difficult to find unless you know exactly what you’re looking for. The new Botkin Lecture Guide, which you can visit straight from this blog post, makes finding, accessing and enjoying these talks easy.
For several years, the U.S. Navy Memorial has hosted students from around the country through its Sea Service internship. As part of the program, interns conduct oral histories of Navy veterans and produce short films based on those interviews. The full interviews are then donated to the Library of Congress Veterans History Project (VHP). For the first time, VHP and the U.S. Navy Memorial are inviting all students in grades 5-12 to create and submit short documentaries featuring the stories of U.S. veterans for the 2025 Sea Service Film Festival. This festival is the perfect opportunity for teachers and parents to get young people involved in documenting and preserving the history of our nation’s veterans. This blog contains the call for entries to the VHP/Navy Memorial Film Festival, including an overview of the festival, submission guidelines, and rules.
This blog highlights a new episode of the Folklife Today podcast, which explores an important collection of Gullah Geechee sound recordings in the archives of the American Folklife Center. The collection features over four hours of Gullah Geechee people singing sacred music, preaching to congregations, and giving testimonies in 1955 and 1956. Courtney Siceloff, then-director of Penn Community Services, recorded this collection at community centers and churches across St. Helena Island, South Carolina. Dr. Eric Crawford, Interim Chair of the Music Department at Claflin University and the author of Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands (University of South Carolina Press), joins this episode to contextualize these recordings and to inform listeners about the people who made them.
We're continuing the Homegrown Plus series with a classic from a few years ago with our good friend Dom Flemons, who performs and records as The American Songster. Back in 2020, Dom performed in the Homegrown at Home concert series, the pandemic-era version of Homegrown, in which artists submitted video concerts and we premiered them online. Dom Flemons, a Grammy award winner with the Carolina Chocolate Drops, a four-time Grammy nominee, and a two-time Emmy nominee, was by no means a stranger to AFC. We first met him when he came in to do research in the Archive in 2007, which means that for almost 20 years he's been accessing and interpreting field recordings from our archive. Because of this, his repertoire includes many songs and tunes he learned from recordings of master musicians in the American Folklife Center archives. Appropriately, he was also the first artist featured in the Center's inaugural Archive Challenge in 2015. Dom approached the concert as an Archive Challenge opportunity, so all the songs have a connection to the AFC archive. As usual for this series, you’ll find a concert video, an interview video, and a set of links to explore.
In 2020, singer-songwriter Crys Matthews participated in the American Folklife Center’s Library of Congress/Folk Alliance International Archive Challenge in New Orleans. The song she selected was “How I Long for Peace,” a song written by Peggy Seeger and sung by Seeger during her concert at the Library of Congress in 2007. Matthews adapted the song for the Archive Challenge, taking inspiration not only from Seeger, but from the spirituals and freedom songs she had heard in church growing up. The song was a highlight of the Archive Challenge that year, so much so that Matthews continued singing it. A few years later, she suggested a collaborative recording of the song to Rhiannon Giddens, a groundbreaking performer and another friend of AFC, who has received a Grammy Award, a Pulitzer Prize, and a MacArthur “Genius” Fellowship, among other accolades. Matthews and Giddens, along with the Resistance Revival Chorus, released their version in 2024. Mostly by coincidence, Peggy Seeger, who had never released an official recording of the song, revisited it in 2021. In this blog, we’ll present the story of this special archive challenge, with Crys Matthews’s Archive Challenge video embedded, and links to the Peggy Seeger version from 2007, the version with Rhiannon Giddens and the Resistance Revival Chorus, and Peggy Seeger’s 2021 interpretation.
